Just A Friend

Album: The Biz Never Sleeps (1989)
Charted: 55 9
Play Video

Songfacts®:

  • In 1989, rap songs could still be goofy and fun, and some rappers who weren't so concerned about establishing street cred were happy to record self-deprecating songs with a wide appeal. On this track, Biz Markie raps about a girl he meets at a show. When he asks her if she has a man, she says she doesn't, and that she only has a friend. He enters into a relationship with her where it would become apparent to most people that her man is much more than a friend, but poor, hapless Biz doesn't figure this out until he surprises her one day and finds her kissing her "friend."
  • Biz Markie sings on this song - very poorly. About 10 years later, it became a trend for rappers to sing on their records, as Ja Rule and Nelly had hits where they were singing poorly, but without irony.
  • This is based on Freddie Scott's 1968 R&B song "(You) Got What I Need," which was written by the Philadelphia songwriting/production team of Kenny Gamble and Leon Huff. Biz used the piano medley and the phrasing of the line, "You got what I need," but changed the subject matter completely.

    Despite the obvious influence, Biz Markie (real name: Marcel Hall) is the only songwriter credited on this track. This was common practice at the time, as most samples and interpolations were not cleared.

    On his next album, Markie did a similar interpretation of "Alone Again (Naturally)" by Gilbert O'Sullivan for the track "Alone Again." At the time, rappers could sample without consequence, as there was no legal precedent. This changed when O'Sullivan sued Biz Markie in 1991, resulting in a landmark decision that unauthorized samples were considered theft. Markie was forced to pull the album and re-issue it without "Alone Again." >>>
    Suggestion credit:
    Bertrand - Paris, France
  • This song entered the Hot Digital Songs chart for the first time in 2009 thanks to its inclusion in a Heineken TV commercial, "Let a Stranger Drive You Home."
  • This was used in episodes of It's Always Sunny in Philadelphia and Unbreakable Kimmy Schmidt, and in the movies The Wackness (2008), The Sitter (2011) and The Book of Life (2014). Andy Samberg sings some of it in the 2012 movie Celeste & Jesse Forever - later in the film, the song it was based on, "(You) Got What I Need" by Freddie Scott, was used.

Comments: 5

  • Megan from Stevenson, AlThis is AWESOME!!! Absolutely love this song! Me and a friend LOVE singing this song so much:)
  • Kate from Norfolk, VaAlso featured in the show "It's Always Sunny in Phillidelphia" in the episode titled 'Dennis and Dee Go on Welfare'.
  • Jennifer Harris from Grand Blanc, Mithis was on Beavis and Butthead,they were havin fun with this song.
  • Bryan from Spring, TxThis song is a classic. It reminds me of the days when rap music was decent.
  • River from IstanbulAwesome vocal talent.
see more comments

Editor's Picks

Little Big Town

Little Big TownSongwriter Interviews

"When seeds that you sow grow by the wicked moon/Be sure your sins will find you out/Your past will hunt you down and turn to tell on you."

Millie Jackson

Millie JacksonSongwriter Interviews

Outrageously gifted and just plain outrageous, Millie is an R&B and Rap innovator.

Don Dokken

Don DokkenSongwriter Interviews

Dokken frontman Don Dokken explains what broke up the band at the height of their success in the late '80s, and talks about the botched surgery that paralyzed his right arm.

Martyn Ware of Heaven 17

Martyn Ware of Heaven 17Songwriter Interviews

Martyn talks about producing Tina Turner, some Heaven 17 hits, and his work with the British Electric Foundation.

Sending Out An SOS - Distress Signals In Songs

Sending Out An SOS - Distress Signals In SongsSong Writing

Songs where something goes horribly wrong (literally or metaphorically), and help is needed right away.

John Lee Hooker

John Lee HookerSongwriter Interviews

Into the vaults for Bruce Pollock's 1984 conversation with the esteemed bluesman. Hooker talks about transforming a Tony Bennett classic and why you don't have to be sad and lonely to write the blues.