Don't Look Any Further

Album: Don't Look Any Further (1984)
Charted: 45 72
Play Video

Songfacts®:

  • This song was a modest hit in 1984, but its bassline went big time. That bass groove, played by session man Nathan East, was sampled by Eric B. & Rakim on their 1987 hip-hop landmark "Paid In Full," which lead to many samples and interpolations over the next several years. In the late '80s and early '90s, rhythmic pop songs of many stripes used variations of the bassline, often offset with a trebly beat.
  • In 1968, Dennis Edwards replaced David Ruffin in The Temptations, handling lead vocals on many classics, including "I Can't Get Next To You" and "Cloud Nine." He left the group in 1983 and released his debut solo album, Don't Look Any Further, the following year, with the title track the first single. It was by far his biggest solo hit - his only single to chart on the Hot 100 or UK Singles chart. Edwards returned to The Temptations in 1987, but left in 1989. He later toured as "The Temptations Review featuring Dennis Edwards."
  • The song was written by Franne Golde, Duane Hitchings and Dennis Lambert, and produced by Lambert. It finds the couple looking forward to a romantic interlude, with Edwards letting her know that she need look no further for "a man to take over."
  • The part where Garrett and Edwards sing in another language is a loose translation of "Don't Look Any Further" in Swahili: "Day-o day-o, mombajee ai-o." Lionel Richie did something similar on his 1983 hit "All Night Long (All Night)," where he incorporated some Swahili ("jambo jambo") into the bridge.
  • This song was supposed to be a duet with Chaka Khan, but it was recorded around Christmas and she wasn't able to do it due to logistics. Siedah Garrett got a gig doing demos for the song's writers Franne Golde and Dennis Lambert after she auditioned for Quincy Jones, and she demoed the female vocal on this track, which was meant as a guide for Chaka. When Chaka couldn't make it, Edwards suggested they use the demo, which he thought passed muster. He also listed her on the single and album as a featured vocalist, which gave Garrett some name recognition. Quincy Jones did put her to work, pairing her with Michael Jackson on the #1 duet "I Just Can't Stop Loving You." She had a very successful career as a singer (backing up other artists and recording solo) and a songwriter; she co-wrote Jackson's hit "Man In The Mirror."
  • This was issued on the Gordy label, which was part of Motown Records.
  • "Don't Look Any Further" reached #2 on the R&B chart, held off the top by Cameo's "She's Strange."
  • British dance band M People's 1993 cover of "Don't Look Any Further" peaked at #9 on the UK Singles Chart. Lead vocalist Heather Small took on Dennis Edwards' original part, while bandmate Mark Bell sang Siedah Garrett's original part. The arrangement stayed faithful to the original, but a saxophone was used in the middle eight instead of the original guitar.
  • London-based DJ and producer PAWSA released a dance cover titled "Too Cool To Be Careless" in 2024. which peaked at #51 on the UK Singles Chart.

Comments: 1

  • Khaliyl Nubian from Washington DcWho were the musicians on this song?
see more comments

Editor's Picks

Facebook, Bromance and Email - The First Songs To Use New Words

Facebook, Bromance and Email - The First Songs To Use New WordsSong Writing

Where words like "email," "thirsty," "Twitter" and "gangsta" first showed up in songs, and which songs popularized them.

Stand By Me: The Perfect Song-Movie Combination

Stand By Me: The Perfect Song-Movie CombinationSong Writing

In 1986, a Stephen King novella was made into a movie, with a classic song serving as title, soundtrack and tone.

Adele

AdeleFact or Fiction

Despite her reticent personality, Adele's life and music are filled with intrigue. See if you can spot the true tales.

Ian Anderson: "The delight in making music is that you don't have a formula"

Ian Anderson: "The delight in making music is that you don't have a formula"Songwriter Interviews

Ian talks about his 3 or 4 blatant attempts to write a pop song, and also the ones he most connected with, including "Locomotive Breath."

John Lee Hooker

John Lee HookerSongwriter Interviews

Into the vaults for Bruce Pollock's 1984 conversation with the esteemed bluesman. Hooker talks about transforming a Tony Bennett classic and why you don't have to be sad and lonely to write the blues.

Al Jourgensen of Ministry

Al Jourgensen of MinistrySongwriter Interviews

In the name of song explanation, Al talks about scoring heroin for William Burroughs, and that's not even the most shocking story in this one.