Songfacts®:

• "Everybody Scream" is Florence Welch doing what she does best: turning existential dread into a kind of rhapsodic theatre. The track, the opener of Florence + The Machine's sixth album of the same name, is part glam-rock chant, part sonic exorcism, and part confession from a singer who feels most at home on the stage, even as she sometimes wants to run and hide from it.
• Welch told Apple Music's Zane Lowe the song is about the push-pull of visibility: "There's always a bit of me that wants to keep hiding, like, 'No, no, no – I'm not ready, put it off,'" she said. "This time, I challenged myself to not delay a record. The song itself is about the pull back to the stage and why I always keep going back there, even though every time it takes a little bit more from me."
• The title came first, simply because Welch thought it would be hilarious to have a song that rhymed with Florence + The Machine.
• Florence Welch built the track with Idles guitarist Mark Bowen, American singer-songwriter Mitski, longtime collaborator James Ford, and The National's Aaron Dessner (well known for his work with Taylor Swift).
  
  It originated with a Notes app shared by Welch and Bowen where they traded ideas. One of Welch's scribbles read: "Florence + the Machine, Everybody Scream." Bowen spotted it and said, "That looks like a title track to me."
  
  Bowen's glam-rock opening soon collapsed into a jarring wall of drone and discordance – what Welch described as a "sonic scream." She filled it with a chant of commands: "Everybody do this, everybody do that!" But the song didn't fully click until Mitski stepped in.
  
  "I didn't know if she even worked on other people's records, but I reached out: 'I know you're in town for shows, would you like to come to the studio?'" Welch recalled. "And she said yes!"
  
  According to Welch, Mitski walked into the studio and said: "You need a chorus. After that drone, I can just feel one coming." Her instincts proved right.
  
  The two bonded over the song's meaning, realizing that Welch's list of demands was really about the intimacy between artist and stage, something Mitski also relates to. Out of those conversations, the final version emerged.
• Adding a spectral edge are the Deep Throat Choir, a London-based vocal collective whose experimental harmonies had already impressed James Ford and Jas Shaw of Simian Mobile Disco, leading to their 2018 collaboration Murmurations. Here, the choir's voices swell around Welch like a pagan procession.
• "Everybody Scream" picks up where "Morning Elvis" left off on Florence's previous album, Dance Fever. While that closing track lingered on Welch's musings about retreat and retirement, here she is charging back onto the stage, battered but unbowed. It echoes "Free," another Dance Fever track, where she sums up the rush of performing: "And for a moment, when I'm dancing, I am free."
• The Everybody Scream album was shaped by Welch's health scare during the Dance Fever tour in 2023, when emergency surgery led her to explore themes of mortality, mysticism, womanhood, and aging.
• The music video, directed by longtime collaborator Autumn de Wilde, doubles down on the witchy imagery. We see Welch and her choir in rural, mystical settings.
• Before it was an album title, Everybody Scream was just a phrase scrawled in one of Welch's chaotic notebooks. "There was absolutely no song," she laughed to CBS Mornings, "just random shouting and chant." That ghost of an idea grew into a record steeped in folk horror and emotional exorcism.