Funk #49

Album: James Gang Rides Again (1970)
Charted: 59
Play Video

Songfacts®:

  • The James Gang is best known for their guitarist, Joe Walsh, whose playing on this track helped establish him as a superstar axeman. Walsh joined the Cleveland-based group in 1969 after making a name for himself as one of the top guitar men in Ohio. He replaced Glenn Schwartz in the band, who Walsh considers a mentor. They were a 5-piece when Walsh joined, but were down to three (like popular acts Cream and The Jimi Hendrix Experience) when they released their second album James Gang Rides Again.

    With just three members, it meant Walsh had to play both rhythm and lead guitar parts, and also sing (he got a lot more help when he joined the Eagles in 1975). It was quite a learning experience for Walsh, who left the James Gang in 1971 after recording three studio albums with the group.
  • It was the producer Bill Szymczyk who signed the James Gang to ABC Records after seeing them perform at a show in Ohio. Szymczyk produced the band and began a long association with Joe Walsh, producing his solo albums and most of the Eagles output in the '70s.
  • Walsh wrote this song with his bandmates, drummer Jim Fox and bass player Dale Peters. The song is about a girlfriend whose wild ways the singer just can't tame (the female equivalent of Joe Walsh's character in his solo hit "Life's Been Good"). There isn't much in the way of lyrics, as the song is mostly a showcase for Walsh's guitar work. He explained in the book The Guitar Greats, "I came up with the basic guitar lick, and the words never really impressed me intellectually, but they seemed to fit somehow. It was a real good example of how we put things together, bearing in mind that it was a three piece group, and I don't think that there was any overdubbing. The only thing we really added was the percussion middle part, which the three of us actually played, putting some parts on top of the drums, but that's the three piece James Gang, and that's the energy and kind of the symmetry we were all about."
  • The first James Gang album (Yer' Album, 1969) contained the track "Funk #48," which according to producer Bill Szymczyk, got its title "out of thin air." When they came up with what would become "Funk #49," they were once again faced with no logical title based on the lyrics, and followed the sequence. There was a "Funk 50," but not until Joe Walsh released it on his 2012 album Analog Man after being asked to rework "Funk #49" for the ESPN show Sunday NFL Countdown.
  • "Funk #49" became a staple of Album Oriented Rock and Classic Rock radio, but it wasn't the biggest chart hit for the James Gang - that would be "Walk Away," which made #51 in 1971 and was later reworked for Walsh's 1976 solo album You Can't Argue with a Sick Mind. "Funk #49" is one of Joe Walsh's most popular songs, and by the mid-'70s he admitted that he couldn't stand playing it any more, but did so because fans loved it.

Comments: 4

  • Sean Patrick Mcdonald The Old Irish Port Head from Fenton Mo.I have been lucky to have lived through a time when music took talent to create and I was able to get to see a lot of it live bands that know one can ever see again with the the artist who really made a huge impact on me my Dad loved music and showed me what great music was but he passed away from having to fight in Vietnam and I feel cheated he was my biggest influence into the thing we call ROCK&ROLL thank you all long live great music
  • David Eckler from Kalamazoo, MichiganThe first line is "Asleep all day..."
  • Myname from WestbygodKinda crazy how some of the old "mediocre" charters rock majorly supreme to today's "chart toppers",no?
  • Barry from Sauquoit, NyOn August 23rd 1970, "Funk #49" by the James Gang entered Billboard's Hot Top 100 chart at position #79; and on September 27th, 1970 it peaked at #59 {for 1 week} and spent 10 weeks on the Top 100...
    The Cleveland trio had three other Top 100 records; "Walk Away" {#51 in 1971}, "Midnight Man" {#80 in 1971}, and "Must Be Love" {#54 in 1974}.
see more comments

Editor's Picks

Director Mark Pellington ("Jeremy," "Best Of You")

Director Mark Pellington ("Jeremy," "Best Of You")Song Writing

Director Mark Pellington on Pearl Jam's "Jeremy," and music videos he made for U2, Jon Bon Jovi and Imagine Dragons.

Why Does Everybody Hate Nu-Metal? Your Metal Questions Answered

Why Does Everybody Hate Nu-Metal? Your Metal Questions AnsweredSong Writing

10 Questions for the author of Precious Metal: Decibel Presents the Stories Behind 25 Extreme Metal Masterpieces

Greg Lake of Emerson, Lake & Palmer

Greg Lake of Emerson, Lake & PalmerSongwriter Interviews

Greg talks about writing songs of "universal truth" for King Crimson and ELP, and tells us about his most memorable stage moment (it involves fireworks).

Paul Williams

Paul WilliamsSongwriter Interviews

He's a singer and an actor, but as a songwriter Paul helped make Kermit a cultured frog, turned a bank commercial into a huge hit and made love both "exciting and new" and "soft as an easy chair."

Harry Wayne Casey of KC and The Sunshine Band

Harry Wayne Casey of KC and The Sunshine BandSongwriter Interviews

Harry Wayne Casey tells the stories behind KC and The Sunshine Band hits like "Get Down Tonight," "That's The Way (I Like It)," and "Give It Up."

Tony Iommi of Black Sabbath, Heaven And Hell

Tony Iommi of Black Sabbath, Heaven And HellSongwriter Interviews

Guitarist Tony Iommi on the "Iron Man" riff, the definitive Black Sabbath song, and how Ozzy and Dio compared as songwriters.