Nasty by Janet Jackson

Album: Control (1986)

Charted: 19 3

License This Song

lyrics

artistfacts

Songfacts®:

The second single from Janet Jackson's third studio album, Control, "Nasty" peaked at #3 on the Billboard Hot 100 and #1 on the Hot R&B/Hip-Hop Songs, and became one of her signature songs. It ushered in Jackson's new, empowered persona and is remembered for the lines, "No, my first name ain't baby, it's Janet... Ms. Jackson if you're nasty." This was an early retaliation against a hip-hop culture that was showing signs of misogyny - Jackson made it clear she wasn't going to take it.
Jackson told the UK music magazine NME that the song was inspired by a real incident when some abusive men tried to flirt with her. She explained: "When I was working in Minneapolis, I was walking from the hotel to the studio, and there were all these guys hanging around, shouting seriously sexual stuff, some really dirty stuff. I went in and started working on the song right after that. So many men call women, 'baby.' It takes away your dignity. I've got a name and if you don't know it then don't shout at me in the street."
Like most of the tracks on Control, Jackson wrote this song with her producers, Jimmy Jam and Terry Lewis, who were architects of the New Jack sound of the late '80s and early '90s.
Paula Abdul choreographed the music video and also appeared in it as one of Jackson's friends. When Abdul started her singing career, she looked for the Minnesota funk sound similar to what Jackson was doing with Jimmy Jam and Terry Lewis. This led her to Oliver Leiber, who wrote the title track to her debut album Forever Your Girl.
The song won Favorite Soul/R&B Single at the 1987 American Music Awards.
Jimmy Jam fired back at a critic who misinterpreted the meaning of this song. He remembered: "[The reviewer] said, 'One minute she's singing, 'Let's wait awhile' and the next minute she's talking about, 'Let's get nasty.' And I wrote back to him and said, 'You're a reviewer. Have you ever listened to the lyrics of the song? She's saying 'I don't like nasty boys.' That's what the song is saying.' And of course he printed in the paper that I'd written him back... Now he gives us good reviews."
Jimmy Jam built the melody for this song around a sound from his then-new Mirage keyboard: "It [had] a factory sound that was in there... more of a sound-effect type of sound," he recalled. "I've always been - probably from being around Prince - interested in using unorthodox types of things to get melodies and sounds. That was a very unmelodic type of sound, but we found a way to build a melody around it."
This song made its way onto several soundtracks on the big and small screens, including the movies Tough Guys (1986) and How To Be A Player (1997) and the TV shows Moonlighting, Nip/Tuck, Everybody Hates Chris and Glee. It also made the rounds on reality competition shows like Dancing with the Stars, So You Think You Can Dance and Ru Paul's All Stars Drag Race.
Panic! at the Disco's single "Miss Jackson" was inspired by this song, and references its title in the chorus with the lyrics "Miss Jackson, are you nasty?"
A modified version of this song was used as the title theme for Nasty Boys, a short-lived 1989 TV series about undercover cops working the narcotics unit in North Las Vegas.
"Weird Al" Yankovic parodied this song in the chorus of his polka medley "Polka Party."
Britney Spears, who performed covers of "Nasty" and "Black Cat" during her Baby One More Time tour, paid tribute to this song on her single "Break The Ice." She stopped mid-song to croon "I like this part. It feels kind of good," much like Jackson's "I love this part."
This song got a Trump Bump when he made a dismissive comment about his opponent, Hillary Clinton, during their third and final presidential debate on October 19, 2016. Spotify reported that streams of "Nasty" spiked by 250% overnight after Trump uttered, "Such a nasty woman," in reaction to a crack Clinton made about him not paying federal taxes.
On The Office episode "Take Your Daughter To Work Day" (2006), Michael Scott paraphrases the lyrics using Pam's name, saying "Pam, or Ms. Beesly if you're nasty."

Comments: 2

AnonymousDear Songfacts,

I think, that when you wrote:

"Like most of the tracks on Control, Jackson wrote this song with her producers, Jimmy Jam and Terry Lewis, who were architects of the New Jack sound of the late '80s and early '90s,"

that you meant "The Minneapolis Sound," but accidentally, somehow conflated New Jack Swing (Teddy Riley), and begat a whole new thing that none of us were aware of in the 80's, 90's, or, until today... today, LOL!!!

But seriously, though, I think that super producers, musicians, and other or second, "Dynamic Duo," Mr.'s Jimmy Jam and Terry Louis were apart of the Minneapolis Sound Machine (see, now that's me making a joke--albeit--unintentionally (initially) at your expense (Minneapolis Sound/Miami Sound Machine music-manteau, if you will...(musical portmanteau), but anyway...umm...

...I don't think Jimmy Jam and Terry Louis were the progenitors, or architects, of The Minneapolis Sound, as this, I'd thought, included their former boss (the one responsible for them working with Ms. Jackson (and NO, I'm not nasty, lol, but seriously, I SOOOOO am not!!!), seeing as he'd fired them, previously, which allowed them to be able to...fly freely and work with the young chanteuse!!

Peace, Love, and Chicken "CIAO," Man (pronounced as the Rappers used to say it, well, at least the ones that did...or something somewhat, semi- close -ISH...to it! "Mein" or "Maine" or whatever)

CiAo!
George Pope from Vancouver BcI'd like her to have included "I've got a name and if you don't know it then don't shout at me in the street." as a direct line in the song instead of leaving for the rare few people to extrapolate this meaning. This really sums it up; also, by another pop diva, "Don't talk to me like you know me."

Respect, men! (& all -- yes, I know /some/ women are just as rude to some men (I'm not one of them *LOL*); I like how Seinfeld mentioned how it's idiotic to honk & drive on; even if she were interested(in what/whom?), the car's sped onward--stop & give a polite hello, offer a ride/coffee/meal out, & get to know each other as fellow human beings. Maybe you're on the sae pager & both just want raw, anonymous, & regretless sex with a stranger--then so be it --make that coffee date a motel one! Thank you, Janet, for the catchy dance song & important message to girls to keep their dignity & to feel their rights.

see more comments

More Songfacts:

JeopardyGreg Kihn Band

"Jeopardy" by The Greg Kihn Band got the Weird Al treatment with "I Lost On Jeopardy." Kihn and Jeopardy game show announcer Art Fleming both appear in the video.

Crocodile RockElton John

Elton John's "Crocodile Rock" borrows a bit from Don McLean's "American Pie." Both songs feature a Chevy, and are about young people who are heartbroken when their music "dies."

Islands In The StreamKenny Rogers and Dolly Parton

"Islands in the Stream" was originally written by The Bee Gees as an R&B song. It was originally written by the brothers for Marvin Gaye, however it was recorded instead as a duet by Kenny Rogers and Dolly Parton with the Gibb Brothers also contributing vocals.

Every Breath You TakeThe Police

Sting wrote "Every Breath You Take" at the same desk in Jamaica where Ian Fleming wrote his James Bond novels.

Open Your HeartMadonna

The kid in Madonna's "Open Your Heart" video became a successful songwriter. His songs include Amy Winehouse's "You Sent Me Flying" and James Blunt's "1973."

All Through The NightCyndi Lauper

Cyndi Lauper's hit "All Through The Night" was written and originally recorded by Jules Shear, who also wrote "If She Knew What She Wants" by the Bangles.