For Sale? (Interlude)

Album: To Pimp A Butterfly (2015)
Play Video

Songfacts®:

  • This song was produced by Taz Arnold with Top Dog Entertainment's in-house producer Sounwave and Terrace Martin. Sounwave told Spin about Taz Arnold: "He's another amazing producer who we just vibed out with in the studio," he explained. "We went to his studio and took so many of his amazing records. At one point, we had way too many of his records, and every song we were making started to sound like 'For Sale,' and we thought, 'We can't go this route all the way.'"
  • Lamar's rhymes for the track are about temptation in the shadow of fame. Sounwave said: "'For Sale (Interlude)' it's my favorite song because no one else would do a song like that. Kendrick's talking about the devil, he's talking about selling his soul, he's fighting it; it just feels like this roller coaster of these great, mad emotions, and it was executed perfectly."
  • "Wesley's Theory" producer Flying Lotus also supplied this song's original beat, but it was ultimately discarded, with Lamar favoring Taz Arnold's version of the song, Sounwave said: "The whole thing was originally a Flying Lotus track that Kendrick made his lyrics to, but we lifted so many of his things for the album, by the time we got back to this track, the sound was changing."
  • Dealing with fame is the principle theme of To Pimp a Butterfly. Speaking to Mass Appeal magazine, Lamar explained: "This album is more about deciding what you're gonna do with your fame and your fortune."

    "[Is it] for negative or for positive reasons? When you look at the first half of the album, it's really me trying to figure it out, y'know? [I'm being] flamboyant, boastin', being vengeful in certain places," he continued. "Then going down that line of saying, 'OK, I can do something better with it.' So I don't think it only resonates with blacks, but with people all around the world, man, that can respect the idea of going through a journey or a rebellion, and figuring it out."
  • This song offers an insight into the figure of Lucy (a character representing Lucifer) who also features elsewhere on To Pimp A Butterfly. "Lucy is all the [things] that I was thinking of that I know can be detrimental to not only me but the people around me, and still be tempted by them," Lamar explained to The Guardian. "That's some scary s--t. It's like looking at a bullet inside of a gun, knowing you can kill yourself with it, but you're still picking it up and playing with it."

    Asked what kind of things, he replied: "Everything that we glorified in the hood – smoking, drinking, women, violence – was at my feet times 10. All of it's there. In the neighborhood we wanted to have power and with success comes power. That is temptation at its highest."

Comments

Be the first to comment...

Editor's Picks

Graham Nash

Graham NashSongwriter Interviews

Graham Nash tells the stories behind some of his famous songs and photos, and is asked about "yacht rock" for the first time.

Ralph Casale  - Session Pro

Ralph Casale - Session ProSongwriter Interviews

A top New York studio musician, Ralph played guitar on many '60s hits, including "Lightnin' Strikes," "A Lover's Concerto" and "I Am A Rock."

Rob Halford of Judas Priest

Rob Halford of Judas PriestSongwriter Interviews

Rob Halford dives into some of his Judas Priest lyrics, talking about his most personal songs and the message behind "You've Got Another Thing Comin'."

Corey Hart

Corey HartSongwriter Interviews

The Canadian superstar talks about his sudden rise to fame, and tells the stories behind his hits "Sunglasses At Night," "Boy In The Box" and "Never Surrender."

Incongruent Opening Acts

Incongruent Opening ActsSong Writing

Here's what happens when an opening act is really out of place with the headliner, like when Beastie Boys opened for Madonna.

Edwin McCain

Edwin McCainSongwriter Interviews

"I'll Be" was what Edwin called his "Hail Mary" song. He says it proves "intention of the songwriter is 180 degrees from potential interpretation by an audience."