Perfect Places

Album: Melodrama (2017)
Play Video

Songfacts®:

  • The closing track of Melodrama is an atmospheric electro-pop anthem about a hedonistic teenage party. However, Lorde pierces the fun-filled scenes detailing dancing, drinking and sex with stabs of melancholy. She wants to say that however euphoric these shindigs might feel, there's no escaping the late teenage years are far from perfect.

    All of the things we're taking
    'Cause we are young and we're ashamed
    Send us to perfect places
    All of our heroes fading
    Now I can't stand to be alone
    Let's go to perfect places
  • The song features co-production from Jack Antonoff, who worked extensively with Lorde on Melodrama. Lorde explained the track's inspiration in a Facebook post:

    "I was living in New York during summer last year, writing Melodrama. I'd ride across the Brooklyn Bridge every day, or sit on the subway uptown in the heat, then go back home to New Zealand winter for a week at a time to party with my friends. My life was like a weird little etch-a-sketch I kept scribbling on and resetting. And all last summer, I couldn't shake the feeling that everyone I knew or saw was searching for something - trying to transcend the news and the screaming pavements, drinking that one drink hoping it'd get them someplace higher. This song comes from that endless cycle of evenings and the violent heat of the summer. It took us a very long time to get right, from an aching piano demo to where is it now. It's close to my heart."
  • The Melodrama album tells the story of a single house party and this song summarizes the record's message. Lorde explained to Genius:

    "Another big realization of the last year for me – 'I think I'm partying so much because I'm just dreading sitting at home by myself hearing my thoughts hit the walls.'

    I think parties are a really interesting mental exercise/take on a few different layers when you're feeling like this. Kind of what the album is about."

Comments

Be the first to comment...

Editor's Picks

Spooner Oldham

Spooner OldhamSongwriter Interviews

His keyboard work helped define the Muscle Shoals sound and make him an integral part of many Neil Young recordings. Spooner is also an accomplished songwriter, whose hits include "I'm Your Puppet" and "Cry Like A Baby."

Gavin Rossdale of Bush

Gavin Rossdale of BushSongwriter Interviews

On the "schizoid element" of his lyrics, and a famous line from "Everything Zen."

Kerry Livgren of Kansas

Kerry Livgren of KansasSongwriter Interviews

In this talk from the '80s, the Kansas frontman talks turning to God and writing "Dust In The Wind."

He Hit Me (And It Felt Like A Kiss): A History Of Abuse Pop

He Hit Me (And It Felt Like A Kiss): A History Of Abuse PopSong Writing

Songs that seem to glorify violence against women are often misinterpreted - but not always.

Petula Clark

Petula ClarkSongwriter Interviews

Petula talks about her hits "Downtown" and "Don't Sleep In The Subway," and explains her Michael Jackson connection.

Dr. John

Dr. JohnSongwriter Interviews

The good doctor shares some candid insights on recording with Phil Spector and The Black Keys.