Album: Wild God (2024)
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Songfacts®:

  • The genre-defying "Wild God" is about a deity looking for someone to believe in him. It could be called "gospel-rock" if one had to put a label on it, but it doesn't fit neatly into any category.

    Responding to fans on The Red Hand Files, his personal blog, Cave brought up Jesus and the New Testament of the Bible. "When I first encountered them, though," Cave writes, "it was not Jesus' supposed supernatural powers which I found compelling, but his acute humanness - his vulnerability, his ordinary fragility." Cave discussed Jesus' difficulty in getting anyone to believe in him or his message.

    In "Wild God," he took that idea and projected it onto an unnamed, aged deity that has escaped from a retirement home in a "dying city" to find someone that will believe in him. Cave sees the metaphor as applying to all of us: "In this therapeutic age we are told that our self-worth should not be dependent on the validation of others, that it is an inside job, but the truth is that we are social animals who depend greatly on respect and commendation from others."

    He wraps up his response with the comment that, "The song 'Wild God' ultimately says, 'Things truly matter. We are of enormous value. We believe.' Perhaps all my songs say that."
  • Also on The Red Hand Files, Cave discussed the anxiety he felt as "Wild God" was released. He tried to convince himself that he didn't care what people thought, all the while knowing that he did. He was pleased that the song received an enthusiastic response.
  • "Wild God" is the title track of the 18th studio album by Nick Cave & the Bad Seeds. Published in August 2024, the album was the first Seeds release since 2019's Ghosteen, which was about the tragic, accidental death of his son.
  • Upon completing the song, Cave and Bad Seed Warren Ellis were left with three options for a title: "Joy," "Conversion," and "Wild God." They thought the overt religiosity of "Conversion" would scare people off while "Joy" might be taken to simply mean "happy," which was too trite. So, they settled on "Wild God" and searched for the term on the internet, where they found a popular poem titled "Sometimes a Wild God" by UK writer Tom Hirons. They elected to keep the title, anyway, but Cave acknowledged reading and appreciating the work after the poem's author messaged him about it.
  • Cave's lyrics usually start with visual images. The seed of Wild God was a line from "Dark Night of the Soul", a poem by 16th century mystic, St. John of the Cross: "As his hair floated in the breeze."

    Cave saw an old man flying through the air, his long, grey hair streaming behind him. The flying man is "literally carrying the songs," which bleed into one another because of how he now writes. He told Mojo magazine, "I come in with a bunch of lyrics and three days later pieces of paper are everywhere and we're jamming and I'm grabbing them, so these images find themselves in different songs."

    Another Wild God track, "Long Dark Night," explores themes of spiritual crisis, struggle, and transcendence, drawing on the imagery of St. John of the Cross' poem.
  • Critics and music publications raved about Wild God. It topped Uncut magazine's year-end list and came in second in Mojo magazine's poll of the best albums of 2024.

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