Respect Yourself

Album: Be Altitude: Respect Yourself (1971)
Charted: 12
Play Video

Songfacts®:

  • The Staple Singers signed with the Memphis Soul label Stax Records in 1968, where they found success after languishing at Epic. "Respect Yourself" was written by the Stax songwriter Mack Rice and one of their artists, Luther Ingram, who is best known for his song "(If Loving You Is Wrong) I Don't Want to Be Right." They wrote the song after a discussion where Ingram said to Rice, "Black folk need to respect themselves." Rice decided to turn the idea into a song, and quickly cut a demo. He didn't think it was right for The Staple Singers, but Stax vice-president Al Bell did, stating, "I heard that lyric and I heard that melody and I said, 'that's it. This is the song I've been waiting on.'"
  • The first two Stax albums The Staple Singers recorded were with Steve Cropper of the Stax house band, but by August 1971, when they recorded "Respect Yourself," they were working with the Muscle Shoals Rhythm Section at their studios in Alabama. They slowed down the tempo of Rice's demo and did a lot of experimenting in the studio. Terry Manning, who engineered the session, said: "It was kind of like all or nothing. We consciously put majors and minors together and rock and blues together. It was a lot of elements trying to fuse together, purposely putting little high tinklely sounds to catch kids' ears, and just seeing if it would work."
  • In the liner notes to the 2011 remaster of the Be Altitude: Respect Yourself album, Stax biographer Rob Bowman points out some of the things to listen for in this song:

    Roger Hawkins using the rim of his snare and a wet-to-dry sound on the hi-hat.

    A fuzzed electric guitar line that gets louder as the song fades out at the end. This was supposed to have a subliminal effect on the listener.

    Mavis Staples blasting into the words "big ole man" at the end of the second verse.

    The scat singing on two 4-bar sections, which was written as horn lines. On the demo, Mack Rice did the scatting to show where the horns would be, but The Staples sang it anyway, and the results were so good they decided to leave it in.
  • At this time, the Staple Singers were recording what they called "message music," and ads for the Be Altitude: Respect Yourself album billed it as "The message that rock music is still looking for."
  • A cover version was a #5 hit in the US for Bruce Willis in 1987. He was the first white male solo act to hit the Top 5 with a record on the Motown label, and only the second white male solo act - after R. Dean Taylor's "Indiana Wants Me" - to be so successful for the Motown Corportation.
  • The very first Soul Train dance line was to this song. The show went on the air in 1971, but the famous segment where dancers showed off their moves grooving down the line didn't start until five episodes in, when host/creator Don Cornelius realized the dancers were the big draw.

Comments: 6

  • Barry from Sauquoit, NyOn this day in 1971 {December 5th} "Respect Yourself" by The Staple Singers peaked at #2 {for 3 weeks} on Billboard's Hot Soul Singles* chart, for the three weeks it was at #2, the #1 record for those three weeks was "Family Affair" by Sly and the Family Stone...
    As noted above, "Respect Yourself" reached #12 on Billboard's Top 100 chart...
    Between 1970 and 1985 the Chicago, Illinois family group had twenty-five records on the Hot Soul Singles chart, ten made the Top 10 with three reaching #1, "I'll Take You There" for four weeks in April of 1972, "If You're Ready (Come Go With Me)" for three weeks in December of 1973, and "Let's Do It Again" for two non-consecutive weeks in November of 1975...
    The Staple Singers were inducted into the Rock and Roll Hall of Fame in 1999 and the Gospel Music Hall of Fame in 2018...
    Sadly three members of the group have passed away, Roebuck 'Pops' Staples {1914 – 2000}, Cleotha Staples {1934 - 2013},and Yvonne Staples {1937 - 2018}...
    May all three R.I.P.
    * And from the 'For What It's Worth' department, the remainder of the Hot Soul Singles Top 10 on December 5th, 1971:
    At #3. "Rock Steady" by Aretha Franklin
    #4. "Got To Be There" by Michael Jackson
    #5. "Have Yiu Seen Her" by The Chi -Lites
    #6. "Drowning In The Sea of Love" by Joe Simon
    #7. "I'm A Greedy Man (Part 1)" by James Brown
    #8. "Superstar (Remember How You Got Where You Are)" by The Temptations
    #9. "Scorpio" by Dennis Coffey and the Detroit Guitar
    #10. "Where Did Our Love Go" by Donnie Elbert
  • Jules from OregonOriginal is a fantastic that never gets old. Bruce Willis butchered it.
  • Barry from Sauquoit, NyOn May 25, 1973 the Staple Singers performed "Respect Yourself" on the NBC-TV network late-night musical program 'The Midnight Special'....
    Nineteen months earlier on October 10th, 1971 "Respect Yourself" entered Billboard's Hot Top 100 chart at #82; ten weeks later it would peak at #12 {for 1 week}, and it spent 14 weeks on the Top 100...
    And on December 5th, 1971 it reached #2 {for 2 weeks} on Billboard's Hot R&B Singles chart; the two weeks it was at #2, the #1 record for both those weeks was "Family Affair" by Sly and the Family Stone...
    Between 1970 and 1985 the group had twenty-five records on the Hot R&B Singles chart; ten made the Top 10 with three* reaching #1, "I'll Take You There" for 4 weeks in 1972, "If You're Ready (Come Go with Me)" for 3 weeks in 1973, and "Let's Do It Again" for 1 week in 1975...
    Roebuck 'Pops' Staples passed away at the age of 85 on December 19th, 2000...
    May he R.I.P.
    * They almost had a fourth #1 when the above "Respect Yourself" peaked at #2.
  • Barry from Sauquoit, NyOn January 11th 1987, Bruce Willis' covered version of "Respect Yourself" entered Billboard's Hot Top 100 chart at position #55; and seven weeks later on March 1st, 1987 it peaked at #5 for one week...
    Was track two on his debut album; 'The Return of Bruno', and the album reached #14 on Billboard's Top 200 Albums chart...
    Two other covered tracks from the album also made the Top 100 chart; the Coasters' "Young Blood" {#68} and the Drifters' "Under the Boardwalk"* {#59}...
    Walter Bruce Willis will celebrate his 60th birthday in two months on March 19th {2015}...
    * His covered version of "Under the Boardwalk" peaked at #2 on the United Kingdom's Singles chart.
  • Ted from Phoenix, AzIf memory serves, R. Dean Taylor's "Indiana Wants Me," peaked at #3 in the fall of 1970, making Bruce Willis' version of this song the second U.S. top 5 hit on the Motown label. Bruce Willis was the third white male to have a top ten hit on Motown; in the summer of 1971, the late Tom Clay's "What the World Needs Now is John, Martin and Bobby" peaked at #8 on the Billboard charts.

    That said, the original Staple Singers version of this song is music to my ears. It's funky, and it has an important message about respecting the rights of others.
  • Jo from Newcastle, AustraliaAlso a hit for The Kane Gang (cracked the Australian Top 20 in March 1985)
see more comments

Editor's Picks

Graham Nash

Graham NashSongwriter Interviews

Graham Nash tells the stories behind some of his famous songs and photos, and is asked about "yacht rock" for the first time.

Ralph Casale  - Session Pro

Ralph Casale - Session ProSongwriter Interviews

A top New York studio musician, Ralph played guitar on many '60s hits, including "Lightnin' Strikes," "A Lover's Concerto" and "I Am A Rock."

Rob Halford of Judas Priest

Rob Halford of Judas PriestSongwriter Interviews

Rob Halford dives into some of his Judas Priest lyrics, talking about his most personal songs and the message behind "You've Got Another Thing Comin'."

Corey Hart

Corey HartSongwriter Interviews

The Canadian superstar talks about his sudden rise to fame, and tells the stories behind his hits "Sunglasses At Night," "Boy In The Box" and "Never Surrender."

Incongruent Opening Acts

Incongruent Opening ActsSong Writing

Here's what happens when an opening act is really out of place with the headliner, like when Beastie Boys opened for Madonna.

Edwin McCain

Edwin McCainSongwriter Interviews

"I'll Be" was what Edwin called his "Hail Mary" song. He says it proves "intention of the songwriter is 180 degrees from potential interpretation by an audience."