Anyway, Anyhow, Anywhere

Album: Meaty, Beaty, Big And Bouncy (1965)
Charted: 10
Play Video

Songfacts®:

  • Like many early songs by The Who, "Anyway, Anyhow, Anywhere" captures the band enjoying the unfettered freedom of youth: they can do whatever they want, whenever they want, wherever they want. Pete Townshend, who wrote the lyric, described it as "anti-middle age, anti-boss class, and anti-young marrieds."
  • Townshend thought up the title while listening to a Charlie Parker album. Parker, known as "bird," sounded free when he played.
  • This was The Who's second single, following "I Can't Explain." Their producer at the time was Shel Talmy, who could wrangle a lot of noise into something coherent. After "Anyway, Anyhow, Anywhere" was released, the group made their first album with Talmy: My Generation. The title track to that one was another feat of controlled chaos and a defining hit for the band, but The Who had their manager, Kit Lambert, produce their next one, breaking their contract with Talmy and setting off a legal battle that ended up giving Talmy royalties on every Who recording into 1971.
  • This contains one of the first uses of feedback on a record. The Who lead singer Roger Daltrey recalled to Uncut magazine October 2001: "We were doing this feedback stuff, even before that. We'd be doing blues songs and they'd turn into this freeform, feedbacky, jazzy noise. Pete was getting all these funny noises, banging his guitar against the speakers. Basically, the act that Hendrix is famous for came from Townshend, pre-'I Can't Explain.'"

    "'Anyway, Anyhow, Anywhere' was the first song when we attempted to get that noise onto a record and that was a good deal of time before Hendrix had even come to England," Daltrey continued. "The American pressing plant sent it back thinking it was a mistake. We said, 'No, this is the f---ing noise we want. CUT IT LOUD!'"
  • This is a rare songwriting collaboration between Pete Townshend and Roger Daltrey, who share the writing credits. Most Who songs were written by Townshend alone.
  • Nicky Hopkins played piano. A session man at the time, he would go on the work with The Beatles and The Rolling Stones.

Comments: 13

  • Chloe AThe American pressing plant did what?! How could they do such thing? Well you know what American pressing plant, you’re sick! Not in the “sick, man” slang. I mean the ill sick or a bad way of crazy. Roger was right about you!
  • Barry from Sauquoit, NyOn this day in 1965 {December 9th} a video of The Who's "Anyhow, Anyway, Anywhere" was aired on the NBC-TV late-night variety program, 'Midnight Special'...
    Six months earlier on June 27th, 1965 "Anyhow, Anyway, Anywhere" peaked at #10 {for 1 week} on the United Kingdom's Single chart...
    Between 1965 and 2012 the Who had thirty-three records on the U.K. Singles chart, thirteen made the Top 10 with their two biggest hits both peaking at #2, "My Generation" for 2 weeks in 1965 and "I'm a Boy" for 1 week in 1966...
    Sadly, two of the four original members have passed away, Keith Moon {1946 - 1978} and John Entwistle {1944 - 2002}...
    May they both R.I.P.
    And from the 'For What It's Worth' department, the U.K. Top 10 Singles on June 27th, 1965:
    At #1. "Crying In The Chapel" by Elvis Presley
    #2. "I'm Alive" by The Hollies
    #3. "The Price Of Love" by The Everly Brothers
    #4. "Colours" by Donovan
    #5. "Looking Through The Eyes Of Love" by Gene Pitney
    #6. "Trains And Boats And Planes" by Burt Bacharach
    #7. "Long Live Love" by Sandie Shaw
    #8. "The Clapping Song" by Shirley Ellis
    #9. "Set Me Free" by The Kinks
    #10. the above "Anyway Anyhow Anywhere"
  • Joshua from La Crosse, WiThis was my unofficial personal anthem during my late teens - even though the song is actually older than I am! It's still far and away my favorite Who song of the pre-Tommy era.
  • Babar from London, United StatesGood morning !!

    I love the Who.

    Please can you tell me the song "Bitter and Twisted" what was that about..........song by "The Who" MANY thanks

    Babar

    London, England :-)
  • Colin from New Egypt, NjWell the Who were more talented than the Beatles the Beatles were just the first to rock out. I mean The Who were on of the first REAL rock bands. I mean they were like the first ones to really rock, not softly like the monkees and the beatles and those bands but hard like influencing Led Zepp and the HARD rock bands. The beatles were awesome too but the Who are my all time fav band!
  • Guy from Woodinville, WaOn the whole, I would say the Beatles had more talent the the Who--I mean, get real! But the Who do rock out more and Pete certainly produced a lot of brilliant stuff.
  • Oliver from Fort Collins, Cothe only problem is that the beatles suck compared to THE WHO
  • Jonathan from Johnstown, PaThe Beatles beat The Who to it! "I Feel Fine", relased a year before this song, uses feedback!
  • Robb from Wantagh, NyActually Rex, this song wasn't used a lot during the 70's or during their early 80's tours for that matter.
  • Stefanie Magura from Rock Hill, Scthis is a great song to rock out to!!! Crank it up guys!!!
  • Rex Jackson from Sleze Lans, MaPlayed live at every Who concert from the begining!!!
  • Eddie from Petaluma, CaThis song doesent get the credit it deserves. it was one of the first tracks to use feedback and it is awesome
  • Stefanie Magura from Rock Hill, ScCool song! The feedback is pretty cool.
see more comments

Editor's Picks

Gary Brooker of Procol Harum

Gary Brooker of Procol HarumSongwriter Interviews

The lead singer and pianist for Procol Harum, Gary talks about finding the musical ideas to match the words.

Andy McClusky of OMD

Andy McClusky of OMDSongwriter Interviews

Known in America for the hit "If You Leave," OMD is a huge influence on modern electronic music.

Waiting For The Break of Day: Three Classic Songs About All-Nighters

Waiting For The Break of Day: Three Classic Songs About All-NightersSong Writing

These Three famous songs actually describe how they were written - late into the evening.

Donald Fagen

Donald FagenSongwriter Interviews

Fagen talks about how the Steely Dan songwriting strategy has changed over the years, and explains why you don't hear many covers of their songs.

Graham Nash

Graham NashSongwriter Interviews

Graham Nash tells the stories behind some of his famous songs and photos, and is asked about "yacht rock" for the first time.

Michael Sweet of Stryper

Michael Sweet of StryperSongwriter Interviews

Find out how God and glam metal go together from the Stryper frontman.