Into The Lens
by Yes

Album: Drama (1980)
Play Video

Songfacts®:

  • Drama was the first Yes album without Jon Anderson on lead vocals. Anderson and keyboardist Rick Wakeman had quit the group the previous year over various creative and financial disagreements. In their place stepped Trevor Horn and Geoff Downes - better known as principal members of the Buggles, of "Video Killed The Radio Star" fame. So, the incarnation of Yes that recorded this album and song was essentially a merger of the two groups.
  • The song's title is never mentioned in the lyrics; the chorus instead features the refrain, "I am a camera." The song is about memories - some vanish quickly but others are indelible, as if shot with a camera.
  • In a Songfacts interview with Geoff Downes, he said: "That was one of the songs we took into Yes when we first met up with them and they asked us to write some stuff. It was effectively just a small, four-minute pop song. And of course, they opened it up and treated it as an epic that became 'Into The Lens,' which is about 10 minutes long on the Drama album. It was quite fascinating to put a song like that in and see how those guys treated it, and how the sections developed."
  • The unlikely merger of Yes and Buggles turned out to be short-lived, disbanding after their 1980 tour as each member moved on to other projects. Horn and Downes returned to the Buggles to record that group's follow-up album, Adventures In Modern Recording. Among that album's tracks is an abbreviated and reworked version of this song, under the title "I Am A Camera." Downes left the Buggles before that album was finished to join Steve Howe's newly formed supergroup Asia. Horn was able to complete the album without Downes, but it tanked, leading to the Buggles' demise and Horn's career change from a recording artist to strictly a producer. Meanwhile, Chris Squire and Alan White tried to form a supergroup of their own. They approached Jimmy Page and Robert Plant about forming a new band that would have been called XYZ ("ex-Yes and Zeppelin"). Plant was not interested, so instead Squire and White formed a new group named Cinema. By 1983 Cinema had evolved into a new incarnation of Yes, complete with Jon Anderson back on lead vocals - and none other than Trevor Horn as their producer. >>
    Suggestion credit:
    Joshua - Twin Cities, MN
  • Appropriately, Yes made a music video for this song, which is mostly studio performance footage but also includes a shot of Trevor Horn overlayed on a body of water as he sings. It has pretty good production value for 1980.

Comments: 5

  • Luis from San Juan, Puerto RicoOf course, someone should have taken in consideration the Lady of Shallot conclusion arrangement and used it in Into the Lens musical introduction.
  • Luis from San Juan, Puerto RicoFor me, and maybe if you do some listening, Chris Squire heard the final arrangements of "Lady of Shallot" from an Israeli group called Atmosphera that sounded like Yes. They were youngsters and they recorded only one LP. Listen to the complete song or to minute 15 of www.youtube.com/watch?v=w3Re9RElbgY and you will hear the introductory musical concept of Into the Lens... They recorded this album in 1975 and for me they had musical virtuosity. The singer sounds like Anderson, and the drummer is really Brufford alike.
  • Bob from Oakland, Ca"I am a Camera" is the title of a play by John Van Druten. That play was later the basis for the musical "Caberet."
  • Steveb from Spokane, WaThis is around the time(or a little later than) when Yes' lyrics became either much too literal, very corny, or most of the time both.
  • Adrian from Brookings, SdDrama is probably a better album than Tormato before it, but I just can't get past it. Yes is not Yes without Jon Anderson on vocals! And the whole "I am a Camera" is just as cheesy as "Don't Kill the Whale" or "Circus In Heaven."
see more comments

Editor's Picks

Dave Alvin - "4th Of July"

Dave Alvin - "4th Of July"They're Playing My Song

When Dave recorded the first version of the song with his group the Blasters, producer Nick Lowe gave him some life-changing advice.

Second Wind Songs

Second Wind SongsSong Writing

Some songs get a second life when they find a new audience through a movie, commercial, TV show, or even the Internet.

Jack Blades of Night Ranger and Damn Yankees

Jack Blades of Night Ranger and Damn YankeesSongwriter Interviews

Revisit the awesome glory of Night Ranger and Damn Yankees: cheesily-acted videos, catchy guitar licks, long hair, and lyrics that are just plain relatable.

Waiting For The Break of Day: Three Classic Songs About All-Nighters

Waiting For The Break of Day: Three Classic Songs About All-NightersSong Writing

These Three famous songs actually describe how they were written - late into the evening.

Jimmy Jam

Jimmy JamSongwriter Interviews

The powerhouse producer behind Janet Jackson's hits talks about his Boyz II Men ballads and regrouping The Time.

Donnie Iris (Ah! Leah!, The Rapper)

Donnie Iris (Ah! Leah!, The Rapper)Songwriter Interviews

Before "Rap" was a form of music, it was something guys did to pick up girls in nightclubs. Donnie talks about "The Rapper" and reveals the identity of Leah.