Fine Girl

Album: Ministry of Sound Presents Love Island: The Pool Party (2018)
Charted: 30
Play Video

Songfacts®:

  • ZieZie is a South Londoner of Congolese heritage who records music infused with afro beats. ZieZie started recording in December 2016 and started making waves after he uploaded his track "Mingle" on YouTube, which reached 1.2 million views. That track's success led to a record deal with Sony RCA.
  • This song finds ZieZie paying compliments to a "fine girl" while also inserting namechecks for rappers Chief Keef and Fetty Wap. He also inserts a lyric from his parents' native language.

    I'm a dark skin nigga from Congo
    Na lobaka Lingala soki o yoki te


    The line translate to "I speak Lingala if you didn't know."

    Lingala is a bantu language spoken in the Democratic Republic of Congo, Republic of the Congo, Angola and Central African Republic.

Comments

Be the first to comment...

Editor's Picks

Little Big Town

Little Big TownSongwriter Interviews

"When seeds that you sow grow by the wicked moon/Be sure your sins will find you out/Your past will hunt you down and turn to tell on you."

Millie Jackson

Millie JacksonSongwriter Interviews

Outrageously gifted and just plain outrageous, Millie is an R&B and Rap innovator.

Don Dokken

Don DokkenSongwriter Interviews

Dokken frontman Don Dokken explains what broke up the band at the height of their success in the late '80s, and talks about the botched surgery that paralyzed his right arm.

Martyn Ware of Heaven 17

Martyn Ware of Heaven 17Songwriter Interviews

Martyn talks about producing Tina Turner, some Heaven 17 hits, and his work with the British Electric Foundation.

Sending Out An SOS - Distress Signals In Songs

Sending Out An SOS - Distress Signals In SongsSong Writing

Songs where something goes horribly wrong (literally or metaphorically), and help is needed right away.

John Lee Hooker

John Lee HookerSongwriter Interviews

Into the vaults for Bruce Pollock's 1984 conversation with the esteemed bluesman. Hooker talks about transforming a Tony Bennett classic and why you don't have to be sad and lonely to write the blues.