Admiral Lord Fisher (1841-1920) - the subject of "Old Admirals."
The Black Eyed Peas shot the video for "Just Can't Get Enough" in Japan just a week before a devastating earthquake hit the country.
"Cigarettes And Chocolate Milk" describes a time in Rufus Wainwright's life when he found himself hungover and pounding chocolate milk to feel better. It didn't work, so he smoked a cigarette, which is when he realized his addictive personality could be a problem.
Miley Cyrus didn't write "Wrecking Ball" but could very much relate to it. She was having problems in her relationship with Liam Hemsworth, so the theme of giving your love only to have it wrecked really resonated with her.
War got the idea for "Why Can't We Be Friends?" when they were traveling in Japan and found they had a kinship with the citizens even though they didn't speak the same language.
MC Skat Kat was created for the remix of "Opposites Attract," which was released as the last single from Paula Abdul's Forever Your Girl album. The team that created the Kat also did a-ha's "Take On Me" video.
Phil Oakey of The Human League recorded his vocals for "Don't You Want Me" in the studio bathroom. The recording was disrupted by guitarist Jo Callis reaching through an open window from outside to repeatedly flush one of the toilets.
A top session musician, Carol played on hundreds of hits by The Beach Boys, The Monkees, Frank Sinatra and many others.
The Canadian superstar talks about his sudden rise to fame, and tells the stories behind his hits "Sunglasses At Night," "Boy In The Box" and "Never Surrender."
Lita talks about how they wrote songs in The Runaways, and how she feels about her biggest hit being written by somebody else.
Rosanne talks about the journey that inspired her songs on her album The River & the Thread, including a stop at the Tallahatchie Bridge.
Kevin Godley talks about directing classic videos for The Police, U2 and Duran Duran, and discusses song and videos he made with 10cc and Godley & Creme.
In 1986, a Stephen King novella was made into a movie, with a classic song serving as title, soundtrack and tone.