The Face

Album: Come Around Sundown (2010)
Play Video
  • Beneath the dance hall lights,
    You seem a girl so sound
    Lights up the ground,
    If you give up New York,
    I'll give you Tennessee,
    The only place to be

    The cowboy's burning eyes,
    Don't like the sight of me
    Just straight, enough to breathe
    I like your point of view,
    So don't you shy away

    Ride out the wave
    Ride out the wave
    Ride out the wave

    Ride out the wave
    Ride out the wave

    You had me holding on
    All of the time in place
    Ride out the wave
    Bury yourself away
    The one and only face

    Ride out the wave
    Ride out the wave
    Ride out the wave Writer/s: ANTHONY CALEB FOLLOWILL, IVAN NATHAN FOLLOWILL, JARED FOLLOWILL, MATTHEW FOLLOWILL
    Publisher: BMG Rights Management, CTM Publishing
    Lyrics licensed and provided by LyricFind

Comments: 1

  • Holly from Florida This song is very surfer friendly. It reminds me of surfing.
see more comments

Editor's Picks

Little Big Town

Little Big TownSongwriter Interviews

"When seeds that you sow grow by the wicked moon/Be sure your sins will find you out/Your past will hunt you down and turn to tell on you."

Millie Jackson

Millie JacksonSongwriter Interviews

Outrageously gifted and just plain outrageous, Millie is an R&B and Rap innovator.

Don Dokken

Don DokkenSongwriter Interviews

Dokken frontman Don Dokken explains what broke up the band at the height of their success in the late '80s, and talks about the botched surgery that paralyzed his right arm.

Martyn Ware of Heaven 17

Martyn Ware of Heaven 17Songwriter Interviews

Martyn talks about producing Tina Turner, some Heaven 17 hits, and his work with the British Electric Foundation.

Sending Out An SOS - Distress Signals In Songs

Sending Out An SOS - Distress Signals In SongsSong Writing

Songs where something goes horribly wrong (literally or metaphorically), and help is needed right away.

John Lee Hooker

John Lee HookerSongwriter Interviews

Into the vaults for Bruce Pollock's 1984 conversation with the esteemed bluesman. Hooker talks about transforming a Tony Bennett classic and why you don't have to be sad and lonely to write the blues.