Album: Moving Pictures (1981)

Charted: 41

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• Unstable condition
  A symptom of life
  In mental and environmental change
  
  Atmospheric disturbance
  The feverish flux
  Of human interface
  And interchange
  
  The impulse is pure
  Sometimes our circuits get shorted
  By external interference
  
  Signals get crossed
  And the balance distorted
  By internal incoherence
  
  A tired mind become a shape-shifter
  Everybody need a mood lifter
  Everybody need reverse polarity
  
  Everybody got mixed feelings
  About the function and the form
  Everybody got to deviate
  From the norm
  
  An ounce of perception
  A pound of obscure
  Process information
  At half-speed
  
  Pause
  Rewind, replay
  Warm memory chip
  Random sample
  Hold the one you need
  
  Leave out the fiction
  The fact is
  This friction
  Will only be worn by persistence
  
  Leave out conditions
  Courageous convictions
  Will drag the dream into existence
  
  A tired mind become a shape-shifter
  Everybody need a soft filter
  Everybody need reverse polarity
  
  Everybody got mixed feelings
  About the function and the form
  Everybody got to elevate
  From the norm
  
  Everybody got mixed feelings
  Everybody got mixed feelings
  Everybody got to deviate from the norm
  Everybody got to deviate from the norm
  Everybody got to elevate from the norm
  Everybody got to elevate from the norm
  Everybody got to elevate from the norm
  Everybody got to elevate from the norm
  Everybody got to escalate from the norm
  Everybody got to elevate
  Everybody got to elevate from the norm
  Everybody got to deviate from the norm Writer/s: Alex Zivojinovich, Gary Lee Weinrib, Neil Elwood Peart
  Publisher: Anthem Entertainment
  Lyrics licensed and provided by LyricFind

Comments: 23

• Moosehead from Scthis is the first Rush song i ever heard. back in the days when you sat with your cassette recorder by the radio, waiting to catch a song you liked. after i heard tom sawyer, i went back and realized who rush are.
  HEYWOOD-i know exaclty what you are saying, but i have always sung it as RELEVATE. that is just what heard on vinyl when i was 11 and have stuck with it . this song stays in my top 5 rush songs. others come and go and come back. this one stays
• Lorne from Vancouver Bc"Signals get crossed"...foreshadowing the name of the next album that many of us agree this song would fit onto so well.
• Heywood from CalgaryI have been looking for someone else to recognize this lyric gaff. 5th last line....Getty says evalate, not elevate. Prove me wrong.
• Guy from Sandpoint, IdEd from Ottawa,
  My thoughts exactly, Vital Signs would fit very nicely on Signals. Oddly enough, Witch Hunt seems to go the other way in sounding as if it fits more on Permanent Waves. Both are excellent songs and along with Camera Eye makes this their most complete album in my opinion.
• Lucass from Creedence Clearwater RevivalI love this song so much.
• Tee from N.y.Glad to read what they think of this monster song, the timing blew me away along with the lyrics. A hard song to explain, and a difficult song to find huge fans of,....even Rush fans. If you do, they get it.
• Matt from Grand Rapids, MiThis song is the atmosphere from their early years with some of their less than popular music when they stepped out a little. An ounce of perception and a pound of obscure means stepping away from the norm occasionally just to explore a little. Forget the fiction and don't get lied to. Process information at half speed and explore different avenues and way of doing things when you get in a rut. Forget about what others think. Pause, rewind, replay and reflect on what you have accomplished and what you could have done different and what you enjoyed. Take random samples from that reflection and keep the things that made you feel good. Leave out conditions that limit and go after your dreams in full.
• Matt from Grand Rapids, MiThis is very special song for me from my favorite group. Being in my mid 40's this song has been played through all sorts of times in my life. I don't think about the reggae aspect, etc. I just know I don't always follow the norm and the masterful bass play at the end of the song is brilliant.
• Pryce from Litchfield, NhI thought this song was about machines over powering humans. They should of really left the reggae out... However this is a pretty cool song especially the end drumming. It's really cool.
• Spamlet from Cleveland, OhSteve,
  
  The song is called "The Spirit of Radio" and the line is "shatter the illusion of integrity". Otherwise, I think your analysis is pretty interesting and goes along with Neil's explanatory quotes above.
• Steve from Chino Hills, CaAh, to shed light on this song. Sure, I'll give it the old college try. If this song was an equation, it would have many variables and many possible solutions. Thus you can have multiple interpritations, who's to say who is right?
  
  But, I'll approach this song from a detective's perspective. Neil Peart tends to write about themes. In the song "Limelight" he was focused on stardom as he describes living in the limelight as the universal dream. I think he means this when he says that "Everybody go to elevate from the norm." But this time I think he's talking about success more than stardom.
  
  The line "An ounce of perception, a pound of osbcure" is more or less the formula for this song. You can't read it line by line and make sense of it. It one of those songs that has to be appreciated on the whole.
  
  
  The first half of the song is about being on the road and being worn down and tired and how the environment effects the mind.
  
  The second half of the song is about recording. I am thinking that the record company was probably putting pressure on them to record a love ballad that so many 80's rock bands did at the time.
  
  In the song 'Invisable Airwaves' Neil states "One likes to believe in the freedom of music, but glittering prizes and endless compromises challenge the illusion of integrity." With that in mind look at "Leave out the fiction
  The fact is, this friction
  Will only be worn by persistence
  Leave out conditions
  Courageous convictions
  Will drag the dream into existence" The "friction being worn by persistence" is about seeing the "glittering prizes" as "fiction" and forgetting about it. Staying headstrong and letting it be known the band will go the direction intended from the start will wear down the record label input to the point where they will "worn" from fighting and more or less leave the band alone to find success with their music on their terms. They could very easily forget the original mission of the band (the function and the form) and instead try to use the label's advice to stay commercially relevant.
  
  So, it's a man over environment band over label type of song. But its written in such a way that it's a man over environment success over failure by means of "courageous convictions" type of song. Very clever, and very much an awesome song!
  
  -Steve, Chino Hills, CA
  
  
• Trevor from Santa Barbara, CaBreakfast.
  Great song, one of those that you can't stop going back to. 2012? Geez, give me a break.
• Jeffyb from Binghamton, NyOkay here is my take on the song. It seems close to what may be encountered on Dec.21, 2012. Reverse polarity, atmospheric disturbance, circuits distorted by external interference, signals get crossed, balance distorted, which will drag this dream into existence into a new mood lifter. Just my opinion or Mercury in retrograde! Rush rocks!
• Doc from North Arlington, NjI agree w/ Buffalo Billy's deeper analysis, but what struck me (and only a couple years ago) is that on the surface Neil could be writing about the experiences of a band in the studio - perhaps one in the middle of hashing out a mix. Some of the language is pretty specific to recording(reverse polarity, Pause Rewind Replay, random cycle...). "The balance distorted by internal incoherence" - a beautiful way to describe an unfocussed/cluttered mix... Yea, Rush. The perfect combo of nerd and kick-ass. God bless their square little Canuck heads.
• Justin from Bethlehem, PaThis is one of my favorite songs EVER!!!!
• Hugo from Okc, Okdang can anyone spell Breakfast in America! JEEZ!!!
• Dave from Cardiff, WalesEd - the beat is vaguely similar to "Breakfact In America" but this difference is that "Vital Signs" was performed on a keyboard, BIA was not
• Ed from Ottawa, CanadaTry listening to Brekfast in America by Supertramp....its got a very similar beat.
• Greg from Oakville, CanadaFriggin' love playing bass to this song so much and almost every other rush song!
• Wil from Milwaukee, WiFor a long time Rush would record an entire album and leave space to write ONE song in the studio to finish up the album...what a FANTASTIC song that holds up as well in 2006 as it did 25 years ago in 1981 (when I saw it performed LIVE!!).
• Rob from Vancouver, CanadaI've noticed on a lot of Rush albums there is usually one song that hints at the direction the band is heading. This song would fit equally well on the "Signals" album.
• Billy from Buffalo, NyHi, Everyone. I just thought I'd post my own interpretation. It happens to be one of my favorite Rush songs.
  
  Apparently the song deals with psychological aspects and the way that human memory works;
  We take in large amounts of information during the day - both fact and fiction. We can't hold as much when we grow tired, and behavior degrades. When we sleep, the subconscious mind separates the fact from fiction, and depending on our feedback to the dreams we experience, it will choose what amount of fiction is necessary to pass into long term memory in order to save us from mental stress; i.e. the things we can't handle.
  Deviation is different from elevation: deviant behavior usually goes against societal norms, but elevation is to resist the deviant behavior, i.e. to find a better manner to cope.
• Dave from Cardiff, WalesA techno-esque synth loop, and a reggae-esque feel, this song was a dramatic change of direction for Rush, who up until then had always been a guitar-driven act who used keyboards for effect. From this point until their 1989 album 'Presto!', their sound became largely keyboard-dominated, with guitars hovering in the background. Unusually for a rock band, Rush also had a major influence on the Techno scene that still lay over the horizon just two decades ago when this song was recorded

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