Hey Darling

Album: No Cities To Love (2015)
Play Video
  • You're not home, this is your phone, though, right?
    Explanations are thin
    But I feel it's time
    You want to know where I've been for
    Such a long time
    Disappearing act
    Right before your eyes

    It seems to me the only thing
    That comes from fame is mediocrity
    How could you steal the thing I love
    Then keep it from me, just out of touch?

    Hey Darling
    The situation was justified
    There were some things I saw before
    I realized
    That I was meant to be
    Infinitely by your side
    Distractions always hit but
    We're good this time

    Sometimes the heat of the crowd
    Feels a little too close
    Sometimes the shout of the room
    Makes me feel so alone Writer/s: CARRIE RACHEL BROWNSTEIN, CORIN LISA TUCKER, JANET LEE WEISS
    Publisher: BMG Rights Management
    Lyrics licensed and provided by LyricFind

Comments

Be the first to comment...

Editor's Picks

Kim Thayil of Soundgarden

Kim Thayil of SoundgardenSongwriter Interviews

Their frontman (Chris Cornell) started out as their drummer, so Soundgarden takes a linear approach when it comes to songwriting. Kim explains how they do it.

Shaun Morgan of Seether

Shaun Morgan of SeetherSongwriter Interviews

Shaun breaks down the Seether songs, including the one about his brother, the one about Ozzy, and the one that may or may not be about his ex-girlfriend Amy Lee.

Weird Al Yankovic

Weird Al YankovicFact or Fiction

Did Al play on a Beach Boys record? Did he have beef with George Lucas and Coolio? See if you can spot weird but true stories.

Best Band Logos

Best Band LogosSong Writing

Queen, Phish and The Stones are among our picks for the best band logos. Here are their histories and a design analysis from an expert.

Carl Sturken

Carl SturkenSongwriter Interviews

Hitmaker Carl Sturken on writing and producing for Rihanna, 'N Sync, Christina Aguilera, Kelly Clarkson, Donny Osmond, Shakira and Karyn White.

Matt Sorum

Matt SorumSongwriter Interviews

When he joined Guns N' Roses in 1990, Matt helped them craft an orchestral sound; his mezzo fortes and pianissimos are all over "November Rain."