I Feel Wrong (Homosexuality, Pt. 1)

Album: Euphoric Heartbreak (2011)
Play Video

Songfacts®:

  • Like "Stronger Than Dirt (Homosexuality, Pt. 2)," this track explores a gay relationship and feelings of shame from a first-person perspective. Both songs took shape on the way home from a party where a confrontation arose around two friends that frontman James Allan hadn't previously known were gay. "I thought I'd seen it all in terms of a love gained, a love lost, a love longed for. Or a love unwanted," he told NME: "But I heard one of the guys say to one of the other guys, 'I just can't feel at ease.' And the face. I'll never forget his face when he said it. And the other guy kind of held his hand and said, 'Don't worry, we'll get through it.' And when I saw that, it kind of blew my mind, because it was one of the most tender and romantic and fragile things I've ever seen in my life."
  • Allan revealed to Spinner that he agonized over the two "homosexuality" song titles, fearing that they would come across as too preachy and awkward. "I mean, even with the title I thought that sometimes I do things too literally and I wondered whether I should include the word 'homosexuality' and whether that was too clumsy," he explained. "And I wasn't sure because I wanted to avoid clumsiness but I think that if there's any part of that title that's uncomfortable then it's the word 'wrong.'"

Comments

Be the first to comment...

Editor's Picks

Facebook, Bromance and Email - The First Songs To Use New Words

Facebook, Bromance and Email - The First Songs To Use New WordsSong Writing

Where words like "email," "thirsty," "Twitter" and "gangsta" first showed up in songs, and which songs popularized them.

Stand By Me: The Perfect Song-Movie Combination

Stand By Me: The Perfect Song-Movie CombinationSong Writing

In 1986, a Stephen King novella was made into a movie, with a classic song serving as title, soundtrack and tone.

Adele

AdeleFact or Fiction

Despite her reticent personality, Adele's life and music are filled with intrigue. See if you can spot the true tales.

Ian Anderson: "The delight in making music is that you don't have a formula"

Ian Anderson: "The delight in making music is that you don't have a formula"Songwriter Interviews

Ian talks about his 3 or 4 blatant attempts to write a pop song, and also the ones he most connected with, including "Locomotive Breath."

John Lee Hooker

John Lee HookerSongwriter Interviews

Into the vaults for Bruce Pollock's 1984 conversation with the esteemed bluesman. Hooker talks about transforming a Tony Bennett classic and why you don't have to be sad and lonely to write the blues.

Al Jourgensen of Ministry

Al Jourgensen of MinistrySongwriter Interviews

In the name of song explanation, Al talks about scoring heroin for William Burroughs, and that's not even the most shocking story in this one.