Better Me For You (Brown Eyes)

Album: Night Diving (2024)
Charted: 26
Play Video

Songfacts®:

  • "Better Me For You (Brown Eyes)" is about the transformative power of love. Max McNown tells the story of meeting a girl so grounded and kind, it inspires him to become a better version of himself.
  • The song came to life in May 2024 during a writing session in Nashville with songwriters Ava Suppelsa (Home Free's "Lonely Girl's World," Stephen Lee Olsen's "Relationship Goals"), Trent Dabbs (Ingrid Michaelson's "Girls Chase Boys," Kacey Musgraves' "High Horse") and producer Jamie Kenney (Colbie Caillat, Fletcher). McNown had just begun a long-distance relationship and was still in that dreamy, vulnerable stage. He was living in Oregon at the time, and as he talked about his girlfriend - her kindness, her depth, her steady presence - the song began to take shape.
  • The opening line, "I didn't know you'd have brown eyes," was something McNown had already scribbled down before the session. It's the only physical description in the whole song. Everything else is emotional: his girl is described as spiritual and grounded.
  • Suppelsa steered the writing session toward contrast. If the chorus was all light and love, the verses had to show the shadows that came before: nights of too much drinking, a fear of commitment, and a tendency to keep an emotional distance. McNown admitted that for a long time he'd been a toe-dipper in life. That line made it into the second verse, conjuring images of someone standing on the edge, unwilling to dive in.
  • The first demo was recorded in Jamie Kenney's Berry Hill studio in Nashville. They kept it simple: lo-fi, layered acoustic guitars, some homemade percussion, and a raw vocal take that, for all its imperfections, felt genuine. McNown would go on to re-record the vocal three more times as his voice and confidence developed. Jamie Kenney ultimately used much of that very first scratch vocal because it had a certain freshness they couldn't recreate.
  • Max McNown stumbled into his falsetto voice. "Better Me For You (Brown Eyes)" was the first time he ventured that high into his register, and though he hadn't taken any formal vocal lessons, the sound somehow worked. It had fragility and soul and, above all, honesty.

    It was also, by McNown's own account, a bit of a nightmare. "I couldn't even sing it all the way through without messing up," he admitted to Billboard. But the melody naturally pulled him into falsetto territory, and he stuck with it.
  • Kenney played organ, bass and drums in the final version as well as contributing background vocals. Todd Lombardo contributed mandolin and rubber-bridge acoustic guitar; Aaron Sterling provided the drums; and Jedd Hughes added electric guitars.
  • The song's title was altered late on thanks to TikTok. As McNown began teasing clips of the chorus on the app, people started associating the song with the lyric "brown eyes." Eventually, they added it to the title, in parentheses, to make it easier to find.
  • Max McNown didn't intend to release "Better Me For You (Brown Eyes)" as a single. It was his manager, who is also his uncle, who convinced him to do so, believing in the song's potential and urging McNown to share it more widely. That nudge proved well-placed: "Better Me For You (Brown Eyes)" became his first Hot 100 hit.

Comments

Be the first to comment...

Editor's Picks

Facebook, Bromance and Email - The First Songs To Use New Words

Facebook, Bromance and Email - The First Songs To Use New WordsSong Writing

Where words like "email," "thirsty," "Twitter" and "gangsta" first showed up in songs, and which songs popularized them.

Stand By Me: The Perfect Song-Movie Combination

Stand By Me: The Perfect Song-Movie CombinationSong Writing

In 1986, a Stephen King novella was made into a movie, with a classic song serving as title, soundtrack and tone.

Adele

AdeleFact or Fiction

Despite her reticent personality, Adele's life and music are filled with intrigue. See if you can spot the true tales.

Ian Anderson: "The delight in making music is that you don't have a formula"

Ian Anderson: "The delight in making music is that you don't have a formula"Songwriter Interviews

Ian talks about his 3 or 4 blatant attempts to write a pop song, and also the ones he most connected with, including "Locomotive Breath."

John Lee Hooker

John Lee HookerSongwriter Interviews

Into the vaults for Bruce Pollock's 1984 conversation with the esteemed bluesman. Hooker talks about transforming a Tony Bennett classic and why you don't have to be sad and lonely to write the blues.

Al Jourgensen of Ministry

Al Jourgensen of MinistrySongwriter Interviews

In the name of song explanation, Al talks about scoring heroin for William Burroughs, and that's not even the most shocking story in this one.