Collateral Damage
by Muse

Album: The Resistance (2009)
Play Video

Songfacts®:

  • This long piano section, which follows straight on from "United States of Eurasia," is an altered version of Frédéric Chopin's Nocturne in E-flat Major Op. 9 No. 2, with additional sounds of playing children, and the sound of warfare. Singer Matt Bellamy performed the piece and he described it to MTV News as, "this weird piano part with the sound of innocent kids and warfare and stuff, which is kind of the aftermath that happens after all this grad strategizing."
  • Nocturne in E-flat Major was one of a set of three nocturnes written by Polish composer Frédéric Chopin between 1830 and 1832 when he was in his early twenties. Chopin composed no fewer than 21 nocturnes in total. They sound effortless, but he would often spend days agonising over just a few bars.

Comments

Be the first to comment...

Editor's Picks

David Bowie Leads the Society for Prevention of Cruelty to Long-Haired Men

David Bowie Leads the Society for Prevention of Cruelty to Long-Haired MenSong Writing

Bowie's "activist" days of 1964 led to Ziggy Stardust.

Harry Wayne Casey of KC and The Sunshine Band

Harry Wayne Casey of KC and The Sunshine BandSongwriter Interviews

Harry Wayne Casey tells the stories behind KC and The Sunshine Band hits like "Get Down Tonight," "That's The Way (I Like It)," and "Give It Up."

Don Dokken

Don DokkenSongwriter Interviews

Dokken frontman Don Dokken explains what broke up the band at the height of their success in the late '80s, and talks about the botched surgery that paralyzed his right arm.

Modern A Cappella with Peder Karlsson of The Real Group

Modern A Cappella with Peder Karlsson of The Real GroupSong Writing

The leader of the Modern A Cappella movement talks about the genre.

Steven Tyler of Aerosmith

Steven Tyler of AerosmithSongwriter Interviews

Tyler talks about his true love: songwriting. How he identifies the beauty in a melody and turns sorrow into art.

Joan Armatrading

Joan ArmatradingSongwriter Interviews

The revered singer-songwriter talks inspiration and explains why she put a mahout in "Drop the Pilot."