How Deep Is Your Love

Album: Tomahawk Technique (2012)
Play Video

Songfacts®:

  • Kelly Rowland pops up on this Ester Dean penned club-minded track, which was released as the fifth single from Tomahawk Technique. "It's similar to 'Got 2 Luv U' with Alexis Jordan," Sean explained to Rap-Up.com of the Stargate-produced tune. "It's definitely a dancehall track."
  • The song might share a title with the Bee Gees' Saturday Night Fever hit tune, but that's where their similarities end. Whilst Sean Paul's tune features such dancehall-style lines as, "So hot me girl" and "Badabang, Bada bang bang bang bang. Sean Da Paul him ah the Don," the Gibb Brothers stuck to more straightforward sentiments on their composition.
  • Regarding Stargate's production, Sean Paul told Billboard magazine: "The keys, the keyboard that they're using sounds more R&B-ish but the bass & drums are dancehall oriented. It's a perfect mixture."

Comments

Be the first to comment...

Editor's Picks

Graham Nash

Graham NashSongwriter Interviews

Graham Nash tells the stories behind some of his famous songs and photos, and is asked about "yacht rock" for the first time.

Ralph Casale  - Session Pro

Ralph Casale - Session ProSongwriter Interviews

A top New York studio musician, Ralph played guitar on many '60s hits, including "Lightnin' Strikes," "A Lover's Concerto" and "I Am A Rock."

Rob Halford of Judas Priest

Rob Halford of Judas PriestSongwriter Interviews

Rob Halford dives into some of his Judas Priest lyrics, talking about his most personal songs and the message behind "You've Got Another Thing Comin'."

Corey Hart

Corey HartSongwriter Interviews

The Canadian superstar talks about his sudden rise to fame, and tells the stories behind his hits "Sunglasses At Night," "Boy In The Box" and "Never Surrender."

Incongruent Opening Acts

Incongruent Opening ActsSong Writing

Here's what happens when an opening act is really out of place with the headliner, like when Beastie Boys opened for Madonna.

Edwin McCain

Edwin McCainSongwriter Interviews

"I'll Be" was what Edwin called his "Hail Mary" song. He says it proves "intention of the songwriter is 180 degrees from potential interpretation by an audience."