Eyeball Kid

Album: Mule Variations (1999)
Play Video

Songfacts®:

  • Waits uses the "Eyeball Kid," a carnival attraction "born without a body, not even a brow," as a metaphor for showbiz and the disfunction that goes along with it. He explained in a 1999 Exclaim interview: "Most of us, in some form or another, are fascinated with anything that makes us different. Most of us from time to time have felt that way and can relate on a certain level, whether it's internal or external.... Obviously I'm making light of something [on "Eyeball Kid"] - and I hope it's not at anybody's expense, because there are people with physical deformities and I'm not poking fun at that at all. I'm just taking the idea of show business to a ridiculous place. It's really more autobiographical than anything else."
  • Waits found inspiration in the pages of a comic book - The Eyeball Kid is a Dark Horse comics character drawn by Australian artist Eddie Campbell. "Actually, it was [actor] Nic Cage that reintroduced me to comic books," Waits told Magnet in 1999. "I hadn't thought about comic books since I was a little kid, but he seemed to carry that mythology with him. It was inspiring to see him keep alive some of those principles that we associate with childhood, to the point where he named himself after Cage, the comic-book hero."
  • In the lyrics, the Eyeball Kid is given the same birthday as Tom Waits' actual birthday, December 7, 1949. >>>
    Suggestion credit:
    Jeff - Lacey, WA, for above 3
  • The Eyeball Kid is mentioned in the song "Such A Scream," which was on Bone Machine seven years prior to the release of Mule Variations. The lyric goes, "Well Pale Face said to the Eyeball Kid."

Comments: 1

  • S Sparrow from St LouisJust started listening to The Pop Group’s “For How Much Longer Do We Tolerate Mass Murder?”, and I noticed the chanting at the beginning of “Forces of Oppression” are the same as what we hear in this song.
see more comments

Editor's Picks

Philip Cody

Philip CodySongwriter Interviews

A talented lyricist, Philip helped revive Neil Sedaka's career with the words to "Laughter In The Rain" and "Bad Blood."

Rob Thomas of Matchbox Twenty

Rob Thomas of Matchbox TwentySongwriter Interviews

Rob Thomas on his Social Distance Sessions, co-starring with a camel, and his friendship with Carlos Santana.

Mike Scott of The Waterboys

Mike Scott of The WaterboysSongwriter Interviews

The stories behind "Whole Of The Moon" and "Red Army Blues," and why rock music has "outlived its era of innovation."

Metallica

MetallicaFact or Fiction

Beef with Bon Jovi? An unfortunate Spandex period? See if you can spot the true stories in this Metallica version of Fact or Fiction.

Dwight Twilley

Dwight TwilleySongwriter Interviews

Since his debut single "I'm On Fire" in 1975, Dwight has been providing Spinal-Tap moments and misadventure.

Leslie West of Mountain

Leslie West of MountainSongwriter Interviews

From the cowbell on "Mississippi Queen" to recording with The Who when they got the wrong Felix, stories from one of rock's master craftsmen.