I Might

Album: The Whole Love (2011)
Play Video

Songfacts®:

  • The first single from American alternative rock group Wilco's eighth album, The Whole Love was initially made available at the band's Solid Sound Festival, at the Massachusetts Museum of Contemporary Art from June 24 to 26, 2011. It marked the first ever release on the band's own label dBpm.
  • Frontman Jeff Tweedy almost called the album "Get Well Soon Everybody" after a lyric from this song.
  • The song samples a snatch of vocal from The Stooges' "TV Eye" ("Brother"). Tweedy explained to Mojo magazine: "The lyric, 'The Magna Carta's on a Slim Jim… blood brother,' needed more than I could give it. Fortunately we live in the 21st century and things like this can happen."

Comments

Be the first to comment...

Editor's Picks

Holly Knight ("The Best," "Love Is A Battlefield")

Holly Knight ("The Best," "Love Is A Battlefield")Songwriter Interviews

Holly Knight talks about some of the hit songs she wrote, including "The Warrior," "Never" and "The Best," and explains some songwriting philosophy, including how to think of a bridge.

Maxi Priest

Maxi PriestSongwriter Interviews

The British reggae legend tells the story of his #1 hit "Close To You," talks about his groundbreaking Shabba Ranks collaboration "Housecall," and discusses his latest project with Robin Trower.

Paul Stanley of Kiss, Soul Station

Paul Stanley of Kiss, Soul StationSongwriter Interviews

Paul Stanley on his soul music project, the Kiss songs with the biggest soul influence, and the non-make-up era of the band.

Second Wind Songs

Second Wind SongsSong Writing

Some songs get a second life when they find a new audience through a movie, commercial, TV show, or even the Internet.

Bob Daisley

Bob DaisleySongwriter Interviews

Bob was the bass player and lyricist for the first two Ozzy Osbourne albums. Here's how he wrote songs like "Crazy Train" and "Mr. Crowley" with Ozzy and Randy Rhoads.

Devo

DevoSongwriter Interviews

Devo founders Mark Mothersbaugh and Jerry Casale take us into their world of subversive performance art. They may be right about the De-Evoloution thing.