Album: My Aim Is True (1977)

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• Calling Mr. Oswald with the swastika tattoo
  There is a vacancy waiting in the English voodoo
  Carving "V" for "vandal" on the guilty boy's head
  When he's had enough of that, maybe you'll take him to bed
  To teach him he's alive before he wishes he was dead
  
  [Chorus:]
  Turn up the TV, no one listening will suspect
  Even your mother won't detect it, so your father won't know
  They think that I've got no respect but
  Everything is less than zero
  Hey, oo hey-ey
  Hey, oo hey-ey
  
  Oswald and his sister are doing it again
  They've got the finest home movies that you have ever seen
  They've got a thousand variations, every service with a smile
  They're gonna take a little break and they'll be back after a while
  Well, I hear that South America is coming into style
  
  [Chorus:]
  
  A pistol was still smoking, a man lay on the floor
  Mr. Oswald said he had an understanding with the law
  He said he heard about a couple living in the USA
  He said they traded in their baby for a Chevrolet
  Let's talk about the future, now we've put the past away
  
  [Chorus:]
  Hey, oo hey-ey
  Hey, oo hey-ey... Writer/s: ELVIS COSTELLO
  Publisher: BMG Rights Management, Capitol CMG Publishing
  Lyrics licensed and provided by LyricFind

Comments: 8

• Pedant from EnglandAs someone else has commented, Mosely was certainly not popular at the time this song was written. His period was the late 1920s up to the outbreak of WWII, at which point Nazi sympathisers became anathema in Britain. He never regained popular support. It seems he had a brother but no sister and Costello seems to be muddling him up in some respects with the Mitfords, one of whom he married. The parts about home movies or a smoking pistol have no historical bases I can discover. Costello himself later wrote "Less Than Zero was a song I had written after seeing the despicable Oswald Mosley being interviewed on BBC television. The former leader of the British Union of Fascists seemed unrepentant about his poisonous actions of the 1930s. The song was more of a slandering fantasy than a reasoned argument."
• Andy from Halesowen, West Midlands, United KingdomThe Dallas version: Jenny takes her clothes off in succession,
  While her husband rides a bumper in the president's procession.
  She's sees him on the screen as she looks up from giving head.
  When he's had enough of that her lover throws her on the bed
  To teach her she's alive and suddenly he's dead.
  Turn up the tv. no one listening will suspect,
  Even your mother won't detect it,
  No your father won't know.
  They think that i've got no respect
  But everything means less than zero.
  Hey, ooh hey, hey, ooh hey.
  
  Calling mister oswald, calling anyone at the scene,
  If you were taking home movies there's a chance you might have seen him.
  They've got a thousand variations, every witness in a file.
  Jenny puts on some coffee and she comes back with a smile.
  She says, "i hear that south america is coming into style."
  
  Chorus
  
  A pistol was still smoking, a man lay on the floor.
  Mister oswald thought he had an understanding with the law.
  She's got rubies on her fingers, jenny turns and looks away.
  Her mind upon a basement out of the usa.
  She says, "let's talk about the future now we've put the past away."
  
  
• Andy from Halesowen, West Midlands, United KingdomDoes anyone have the text of the Dallas version.
  I have often heard of it but never found the lyrics anywhere.
  
  On a side note, Oswalds son Max has recently been in the press a lot in the UK as a result of a seedy newspaper "sting" that filmed him roleplaying with prostitutes.
• Alan from Edinburgh, ScotlandI don't think it's true to say that Oswald was popular in England at the time. His time of popularity was the early to mid 1930's, culminating in the Battle of Cable Street when various British socialist groups combined to prevent him from leading a deliberately provocative parade through a predominantly Jewish area of London's East End. After this his popularity waned and during the war he was interned in Holloway Prison because of his support for National Socialism (Nazism). In the eyes of most British people he was forever after associated with Hitler and Mussolini, and was only really popular with extreme right-wing hate groups.
• Meredith from St. Louis, MoActually I noticed a slight connection that Bret Easton Ellis maybe was making when coming up with the title of the book...
  Obviously the title makes sense anyway, but as far as the Elvis Costello song he does mention Elvis Costello a couple of times in the book, if I remember correctly. At least on of the times he mentions a large Elvis poster over the main character's bed...just thought I'd share my view on that
• Justin from Philadelphia, PaWhen Elvis was a musical guest on Saturday Night Live in Christmas 1977 he originally wanted to do Radio Radio for his second number, but the NBC refuse to let him play it because it was an anti-media song and demanded that he play this instead. Elvis agreed, but when it came time for his second song Elvis began to go into the first verse of the song then stopped and told his band to stop and told the audience that there was no reason to do the song. He then launched into a rousing version of Radio Radio and threw the show off by seven minutes. Elvis was banned from performing on SNL for ten years.
• Kieran from Harlow, United StatesBook was written by Bret Easton Ellis.
• Sam from Atlanta, GaMany American listeners assumed the "Mr. Oswald" in the lyrics to be Lee Harvey Oswald. Costello responded to these listeners with the "Dallas Version" of the song, which substitutes lyrics about JFK's assassination. (It can be heard on the "Live At El Mocambo" album.)

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