The Grave And The Constant

Album: Come Find Yourself (1996)
Charted: 72
Play Video
  • I used to wear dress blues, I used to get my cues from the dudes in
    D.C. with the wing tip shoes.
    My boss said it was Paris or Prison and the judge said: "son you better
    Make a decision."

    I chose the former because I heard it was warmer, April in Paris, hell
    South of the border. They put me together, tougher than leather. Set
    Me on your ass because they didn't know better.
    Getting it on to the grave spot, getting it on, getting it on, getting it on.
    Getting it on to the grave spot, getting it on, getting it on, getting it on.
    Getting it on to the grave spot, getting it on, getting it on, getting it on.
    Getting it on to the grave spot, getting it on, getting it on, getting it on.

    I hold the fort left, right and center
    The number running hardass punk, flygirl bender. Check the photo
    Finish I'm in this to satisfy parole, not posing not playing the role,
    See I got more gumbas than Bobby De Niro and if I was you I'd

    Act like Nixon and Spiro. So drink your rock and smoke your pot
    And chill where it's shady. I got more endurance than In-A-Gadda-
    Da-Vida baby.
    Getting it on to the grave spot, getting it on, getting it on, getting it on.
    Getting it on to the grave spot, getting it on, getting it on, getting it on.
    Getting it on to the grave spot, getting it on, getting it on, getting it on.
    Getting it on to the grave spot, getting it on, getting it on, getting it on.

    I'm up to no good, with no place to go but down
    I'm up to no good, with no place to go but down
    I'm up to no good, with no place to go but down
    I'm up to no good, with no place to go but down
    I'm up to no good, with no place to go but down
    I'm up to no good, with no place to go but down

    Getting it on to the grave spot, getting it on, getting it on, getting it on.
    Getting it on to the grave spot, getting it on, getting it on, getting it on.
    Getting it on to the grave spot, getting it on, getting it on, getting it on.
    Getting it on to the grave spot, getting it on, getting it on, getting it on.

    We're up to no good, with no place to go but down
    We're up to no good, with no place to go but down
    We're up to no good, with no place to go but down
    We're up to no good, with no place to go but down

    We're up to no good, with no place to go but down
    We're up to no good, with no place to go but down
    We're up to no good, with no place to go but down
    We're up to no good, with no place to go but down

    We're up to no good, with no place to go but down
    We're up to no good, with no place to go but down
    We're up to no good, with no place to go but down
    We're up to no good, with no place to go but down Writer/s: BRIAN ANDREW LEISER, HUGH THOMAS MORGAN, STEPHEN BYRON BORGOVINI
    Publisher: BMG Rights Management
    Lyrics licensed and provided by LyricFind

Comments

Be the first to comment...

Editor's Picks

Facebook, Bromance and Email - The First Songs To Use New Words

Facebook, Bromance and Email - The First Songs To Use New WordsSong Writing

Where words like "email," "thirsty," "Twitter" and "gangsta" first showed up in songs, and which songs popularized them.

Stand By Me: The Perfect Song-Movie Combination

Stand By Me: The Perfect Song-Movie CombinationSong Writing

In 1986, a Stephen King novella was made into a movie, with a classic song serving as title, soundtrack and tone.

Adele

AdeleFact or Fiction

Despite her reticent personality, Adele's life and music are filled with intrigue. See if you can spot the true tales.

Ian Anderson: "The delight in making music is that you don't have a formula"

Ian Anderson: "The delight in making music is that you don't have a formula"Songwriter Interviews

Ian talks about his 3 or 4 blatant attempts to write a pop song, and also the ones he most connected with, including "Locomotive Breath."

John Lee Hooker

John Lee HookerSongwriter Interviews

Into the vaults for Bruce Pollock's 1984 conversation with the esteemed bluesman. Hooker talks about transforming a Tony Bennett classic and why you don't have to be sad and lonely to write the blues.

Al Jourgensen of Ministry

Al Jourgensen of MinistrySongwriter Interviews

In the name of song explanation, Al talks about scoring heroin for William Burroughs, and that's not even the most shocking story in this one.