Lovesick Blues

Album: 40 Greatest Hits (1949)
Play Video
  • I got a feelin' called the blues, oh, Lord
    Since my baby said goodbye
    Lord, I don't know what I'll do
    All I do is sit and sigh, oh, Lord

    That last long day she said goodbye
    Well Lord I thought I would cry
    She'll do me, she'll do you, she's got that kind of lovin'
    Lord, I love to hear her when she calls me sweet daddy

    Such a beautiful dream
    I hate to think it all over, I've lost my heart it seems
    I've grown so used to you somehow
    Well, I'm nobody's sugar daddy now
    And I'm lonesome, I got the lovesick blues

    Well, I'm in love, I'm in love, with a beautiful gal
    That's what's the matter with me
    Well, I'm in love, I'm in love, with a beautiful gal
    But she don't care about me

    Lord, I tried and I tried, to keep her satisfied
    But she just wouldn't stay
    So now that she is leavin'
    This is all I can say

    I got a feelin' called the blues, oh, Lord
    Since my baby said goodbye
    Lord, I don't know what I'll do
    All I do is sit and sigh, oh, Lord

    That last long day she said goodbye
    Well Lord I thought I would cry
    She'll do me, she'll do you, she's got that kind of lovin'
    Lord, I love to hear her when she calls me sweet daddy

    Such a beautiful dream
    I hate to think it all over, I've lost my heart it seems
    I've grown so used to you somehow
    Lord I'm nobody's sugar daddy now
    And I'm lonesome, I got the lovesick blues Lyrics licensed and provided by LyricFind

Comments: 1

  • Barry from Sauquoit, NyOn this day in 1962 {April 8th} Floyd Cramer's instrumental covered version of "Lovesick Blues" entered Billboard's Top 100 chart at position #91, the following week it moved up to #87, and it remained at #87 on it's third and final week on the Top 100...
    It reached #20 on Billboard's Adult Contemporary Tracks chart...
    Between 1958 and 1962 the Louisiana native had eleven records on the Top 100 chart, three made the Top 10 with his biggest hit being "Last Date", it peaked at #2* {for 4 weeks} on November 28th, 1960...
    Besides "Last Date", his two other Top 10 records were "On The Rebound" {#4 in 1961} and "San Antonio Rose" {#8 in 1961}
    Floyd Cramer passed away on December 31st, 1997 at the young age of 64...
    May he R.I.P.
    * The four weeks that "Last Date" was at #2 on the Top 100, the #1 record for those four weeks was "Are You Lonesome Tonight" by Elvis...
    And from the 'For What It's Worth' department; the last week that Floyd Cramer's "Last Date" was at #2, there were three other versions on the Top 100 at the time, Lawrence Welk's instrumental version at #24, and two vocal versions titled "(My) Last Date (With You)", Skeeter Davis was at #79 and Joni James at #90.
see more comments

Editor's Picks

Holly Knight ("The Best," "Love Is A Battlefield")

Holly Knight ("The Best," "Love Is A Battlefield")Songwriter Interviews

Holly Knight talks about some of the hit songs she wrote, including "The Warrior," "Never" and "The Best," and explains some songwriting philosophy, including how to think of a bridge.

Maxi Priest

Maxi PriestSongwriter Interviews

The British reggae legend tells the story of his #1 hit "Close To You," talks about his groundbreaking Shabba Ranks collaboration "Housecall," and discusses his latest project with Robin Trower.

Paul Stanley of Kiss, Soul Station

Paul Stanley of Kiss, Soul StationSongwriter Interviews

Paul Stanley on his soul music project, the Kiss songs with the biggest soul influence, and the non-make-up era of the band.

Second Wind Songs

Second Wind SongsSong Writing

Some songs get a second life when they find a new audience through a movie, commercial, TV show, or even the Internet.

Bob Daisley

Bob DaisleySongwriter Interviews

Bob was the bass player and lyricist for the first two Ozzy Osbourne albums. Here's how he wrote songs like "Crazy Train" and "Mr. Crowley" with Ozzy and Randy Rhoads.

Devo

DevoSongwriter Interviews

Devo founders Mark Mothersbaugh and Jerry Casale take us into their world of subversive performance art. They may be right about the De-Evoloution thing.