Where Did Our Love Go

Album: Where Did Our Love Go (1964)
Charted: 3 1
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  • Baby, baby, baby don't leave me
    Ooh, please don't leave me all by myself
    I've got this burning, burning, yearning feelin' inside me
    Ooh, deep inside me and it hurts so bad

    You came into my heart (baby, baby) so tenderly
    With a burning love (baby, baby)
    That stings like a bee (baby, baby)
    Now that I surrender (baby, baby) so helplessly
    You now want to leave (baby, baby)
    Ooh, you wanna leave me (baby, baby)
    Ooh (baby, baby)

    Baby, baby, where did our love go?
    Ooh, don't you want me?
    Don't you want me no more (baby, baby)?
    Ooh, baby

    Baby, baby, where did our love go?
    And all your promises of a love forevermore!
    I've got this burning, burning, yearning feelin' inside me
    Ooh, deep inside me, and it hurts so bad

    Before you won my heart (baby, baby)
    You were a perfect guy
    But now that you got me
    You wanna leave me behind (baby, baby)
    Ooh, baby

    Baby, baby, baby don't leave me
    Ooh, please don't leave me all by myself (baby, baby)
    Ooh baby, baby, baby Writer/s: Brian Holland, Edward Jr. Holland, Lamont Dozier
    Publisher: Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

Comments: 18

  • Berry Palmer, Jr. from The Dmv (a.k.a. Wash Dc; Md; Va)Two things: Having grown up in D.C., passing the "KoKo Club", where a young pre-Motown Marvin Gaye had once played, and being a "HS quality" musician, you could say that I LOVE MUSIC, all music.

    First thing, this is an outstanding interview of Mr. Dozier. I've seen "Standing in the Shadows of Motown" (a hundred times), and the "Hitsville" documentary (a thousand), but the true phenomenon is that: Berry Gordy, Jr. was able to surround himself with individuals that wanted to learn, believed him to be creditable, and 'listened', which allowed them learn. THIS credibility is usually dramatically absent in 'minority business endeavors'. Of course, now I realize that Berry, at 30 years of age, and already established as a songwriter, was selling his dreams literally to HS "Teenagers", but teenagers with ambition (and varying talent levels) and 'nothing to lose' by cooperating.

    Second thing is, that Henry Ford Industrialized America with his "Assembly Line", and made America (quietly), the Greatest Industrialized Country in the World: Berry Gordy, upon first-hand witnessing the Ford Motor Co. assembly line, with his imagination, has generated the baseline and structure, that possibly supplants the Henry Ford Industrial Model, with truly, by level of difficulty and circumstance, Motown, The World's Greatest Industrialized Achievement. Again, by level of difficulty and circumstances in America. As Smokey intimates:

    There might exist, geographically, the same levels of talent, elsewhere. . . . but they don't have a Berry Gordy, Jr. to put it all together.
  • Barry from Sauquoit, NyOn this day in 1978 {September 6th} the Manhattan Transfer were guests on the CBS-TV weekday-afternoon television program, 'The Merv Griffin Show'...
    The following week their covered version of "Where Did Our Love Go" entered the United Kingdom's Official Top 75 Singles chart at position #63, one week later it would peak at #40 {for 1 week} and it spent four weeks on the Top 75...
    Between 1976 and 1983 the New York City quartet had nine records on the U.K. Singles chart, one made the Top 10 and it reached #1, "Chanson D'Amour", for three weeks on March 6th, 1977 and it stayed on the chart for thirteen weeks...
    Founding member Timothy DuPron Hauser passed away at the age of 72 on October 16th, 2014...
    May he R.I.P.
  • Barry from Sauquoit, NyOn March 8th 1964, "Run, Run, Run" by the Supremes entered Billboard's Hot Top 100 chart at position #100; the following week it rose to #93 and that would also be its last week on the chart...
    "Run, Run, Run" was the trio's fifth Top 100 record, but with their next release they'd be off and running, for "Where Did Our Love Go" would peak at #1 and be the first of their twelve #1 records on the Top 100.
  • Barry from Sauquoit, NyOn September 12th 1964, the Supremes, the Shangri-Las, Little Anthony & the Imperials, Dusty Springfield, and the Temptations appeared in concert at the Fox Theatre* in Brooklyn, New York...
    At the time "Where Did Our Love Go" was at #2 on Billboard's Hot Top 100 chart, "Remember (Walkin’ In the Sand)" was at #9, "I'm On the Outside (Looking In)" was at #29, "Wishin' and Hopin'" was at #30, and the Temps' "Girl (Why You Wanna Make Me Blue)" was at #65...
    Also on the same bill were Marvin Gaye, the Ronettes, Millie Small, and the Miracles...
    * The Fox Theater was razed in 1971 and a Consolidated Edison Co. building was constructed on the site.
  • Rick from Belfast, MeThis song always personifies the 1960's......superbly done!!!!!!!
  • Guy from Montréal, QcI read somewhere that the foot-stomping sound was supposed to represent the sound of the boyfriend leaving. In the original stereo version, when this walking sound is repeated with no accompaniment before the last chorus, the sound goes from one speaker to the other perhaps suggesting the lover comes back.
  • John from Nashville, TnThe Marvelettes turned down this song and chose to record "Too Many Fish In The Sea" instead. According to Gladys Horton, the Marvelettes had a strong "we don't take no stuff from men" image (witness their hit song "Playboy")and the group members felt this song would make them feel like pushovers.
  • Steve Dotstar from Los Angeles, Caone the Supremes first, and one of their best,
    with that insistant beat and shuffle
  • Kristin from Bessemer, AlIn Mary Wilson's book, "Dreamgirl", she describes that when this song was released, she and the other Supremes, Diana Ross and Flo Ballard were on tour with Dick Clark's Caravan of Stars - with every city they toured in, they noticed the applause getting louder and wilder, and they stood in the wings behind the stage, paralyzed with disbelief- by the time they returned back to Detroit, they had the number one song in the country.
  • Kristin from Bessemer, AlHolland-Dozier-Holland already had the instrumental track cut for this song when they played it for Marvelettes lead singer Gladys Horton and her groupmates - they instantly nixed on the song, thinking it was too childish and babyish to their ears - instead, they opted to record a Norman Whitfield tune entitled "Too Many Fish In The Sea".
  • Kristin from Bessemer, AlIn Mary Wilson's book, "Dreamgirl", she describes that when this song was released, she and the other Supremes, Diana Ross and Flo Ballard were on tour with Dick Clark's Caravan of Stars - with every city they toured in, they noticed the applause getting louder and wilder, and they stood in the wings behind the stage, paralyzed with disbelief- by the time they returned back to Detroit, they had the number one song in the country.
  • Kristin from Bessemer, AlThe "clop-clop" intro at the beginning of the song was done by a 17-year old Italian-American named Mike Valvano, using two pieces of plywood-
  • Jim from Dearborn Heights , MiYes this was their first number one people may not be aware that their success did not come overnight they sighed with Motown in January of 1961 as The Primettes sister group to the Primes who became The Temptations they were ready to release a record and Berry Gordy had wanted them to change their name to something else and Florence Ballard was the only one their at the time she was given a piece of paper with ten names on it and she picked The Supremes because she said she liked it and it was different then all the other names she saw and it took them to 1964 to get a number one hit song but once they did they could not be stopped the songs and hits kept coming and coming
  • Danielle from Maplewood, Njbut also counted those in the UK which i think was only yellow submarine, eleanor rigby, lady madonna, and the ballad of john and yoko.
  • Bob from Los Angeles, MsThe Beatles had the most US number one hits in the 60s (at least 15).
  • Fyodor from Denver, CoThere should be a box set of #1 hits that were originally hated by the artists who recorded them. I saw some rockumentary footage of one of the Supremes saying they wanted strong sounding material like what Martha Reeves and the Vandellas were getting hits with (Heat Wave). I can understand their sentiment, this song is so fragile and ephemeral, it's like it's barely there. Ironically, the Vandellas later had a hit with a Holland-Dozier-Holland song that had more of this type of lighter, airier feel, Jimmy Mack.
  • Nathan from L-burg, Kysoft cell covered this in 1981 on the same track as tainted love
  • Hugh from Dallas, TxOriginally written for the Marvelettes, who passed on it thinkng it was too childlish for their more sophisticated style.
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