Album: War Is The Answer (2009)
Play Video

Songfacts®:

  • Guitarist Zoltan Bathory explained to Metal Hammer why the band recorded this instrumental track. He explained: "Funnily enough, it was Ivan [Moody, vocals] who really pushed for there to be an instrumental on the album! He said that he just wanted to hear us play, to just shred it, so that's what we did! However, it's not a typical instrumental in that we decided to retain a strong sense of structure, to still go down the verse/chorus route, only with the guitars doing the work."
  • Bathory added that the title comes from, "the last round of the ninth circle of hell in Dante's Inferno, and as this was the last track we worked on and the record was pretty much a journey through hell to make, lots of pressure, loads to do and not much time to do it in, we thought it highly appropriate!"

Comments

Be the first to comment...

Editor's Picks

Gary Brooker of Procol Harum

Gary Brooker of Procol HarumSongwriter Interviews

The lead singer and pianist for Procol Harum, Gary talks about finding the musical ideas to match the words.

Don Felder

Don FelderSongwriter Interviews

Don breaks down "Hotel California" and other songs he wrote as a member of the Eagles. Now we know where the "warm smell of colitas" came from.

Allen Toussaint - "Southern Nights"

Allen Toussaint - "Southern Nights"They're Playing My Song

A song he wrote and recorded from "sheer spiritual inspiration," Allen's didn't think "Southern Nights" had hit potential until Glen Campbell took it to #1 two years later.

Donnie Iris (Ah! Leah!, The Rapper)

Donnie Iris (Ah! Leah!, The Rapper)Songwriter Interviews

Before "Rap" was a form of music, it was something guys did to pick up girls in nightclubs. Donnie talks about "The Rapper" and reveals the identity of Leah.

Al Kooper

Al KooperSongwriter Interviews

Kooper produced Lynyrd Skynyrd, played with Dylan and the Stones, and formed BS&T.

Emilio Castillo from Tower of Power

Emilio Castillo from Tower of PowerSongwriter Interviews

Emilio talks about what it's like to write and perform with the Tower of Power horns, and why every struggling band should have a friend like Huey Lewis.