Come From The Heart

Album: Willow In The Wind (1989)
Play Video

Songfacts®:

  • Written by Susanna Clark ("Easy From Now On") and Richard Leigh ("Don't It Make My Brown Eyes Blue"), "Come From The Heart" was first recorded by country singer Don Williams in 1987, two years before becoming Kathy Mattea's third #1 hit on the Country chart. It was also recorded by Susanna's husband, folk musician Guy Clark, on his 1988 album, Old Friends.
  • The narrator learns an important lesson from her dad about living life to the fullest:

    You've got to sing like you don't need the money
    Love like you'll never get hurt
    You've got to dance like nobody's watchin'


    The above verse became a popular bit of wisdom and inspired similar aphorisms. Many assume the songwriters borrowed the inspirational sayings from an earlier source. Not so. Richard Leigh explained:

    "For some reason, people have a great deal of trouble attributing this lyric to its creators: Susanna Clark and Richard Leigh. The reason you can not find any printed or recorded support for these assertions dating back any earlier than our song, is because they don't exist... I think the folks out there must be unconsciously disappointed that something that cool came from such ordinary people, so they keep giving it the loftier authorship they believe it deserves."
  • After Mattea brought the song to #1, it became a hot commodity for advertising, much to co-writer Leigh's disdain. He wanted to turn down a lucrative offer from Reebok, thinking the song was too special to sell sneakers, but was overruled by the publishers.

    He recalled in the biography Without Getting Killed or Caught: The Life and Music of Guy Clark by Tamara Saviano: "Reebok calls, wants the license to 'Come From The Heart' to sell their tennis shoes. Now, I'm so altered by then that I tell my publisher that I don't want to license it for a quarter of a million dollars. I don't care. I said, 'I'm going to call Susanna and tell her that I think it'll bruise the copyright.' This is a magical song. We don't want it selling sneakers. And that's how Guy and Susanna had changed me, and they didn't mean to change me. I started thinking songs were little sermons. They were written in homiletic form. They were meant to help people, not sell tennis shoes, so I was a changed man. But thank the Lord the publishers had control over both our contracts, so we not only got the money, we got to feel good about our decision. It was the best of both worlds."
  • The rock group Hard Working Americans recorded this with Rosanne Cash in 2014.

Comments

Be the first to comment...

Editor's Picks

Does Jimmy Page Worship The Devil? A Look at Satanism in Rock

Does Jimmy Page Worship The Devil? A Look at Satanism in RockSong Writing

We ring the Hell's Bells to see what songs and rockers are sincere in their Satanism, and how much of it is an act.

Bryan Adams

Bryan AdamsSongwriter Interviews

What's the deal with "Summer of '69"? Bryan explains what the song is really about, and shares more of his songwriting insights.

Rush: Album by Album - A Conversation With Martin Popoff

Rush: Album by Album - A Conversation With Martin PopoffSong Writing

A talk with Martin Popoff about his latest book on Rush and how he assessed the thousands of albums he reviewed.

Spooner Oldham

Spooner OldhamSongwriter Interviews

His keyboard work helped define the Muscle Shoals sound and make him an integral part of many Neil Young recordings. Spooner is also an accomplished songwriter, whose hits include "I'm Your Puppet" and "Cry Like A Baby."

Gary Brooker of Procol Harum

Gary Brooker of Procol HarumSongwriter Interviews

The lead singer and pianist for Procol Harum, Gary talks about finding the musical ideas to match the words.

Who's Johnny, And Why Does He Show Up In So Many Songs

Who's Johnny, And Why Does He Show Up In So Many SongsSong Writing

For songwriters, Johnny represents the American man. He has been angry, cool, magic, a rebel and, of course, marching home.